Interviews

Ben Greenberg of the Men

by Dan Duszynski

2012's Open Your Heart put The Men on the map. Their aggressive, raw rock 'n' roll was a welcome jolt, a reminder of the power of energetic live performances. Ben Greenberg is the band member and...

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March 4, 2014

Tutorials

The Future of Audio Engineering

by John LaGrou

When Tape Op's 420th issue rolls out in 2040, the way we record, edit, mix, and master audio will be transformed entirely from the processes we use today. Currently we are separated by physical...

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End Rant

The End of the Day

by Larry Crane

It's getting late. We've been working on this album off and on for months. We're nearing the end of the last mix, and it's sounding pretty good. It came together fairly easily, as we'd carefully...

Gear Geeking

Gear Geeking #100

by Andy Hong

Despite everything that we know about acoustics, and the trouble we go through to treat our rooms properly, a popular practice in recording studios is to place nearfield monitors on top of the...

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SwirlyHook headphone holder

by SwirlyGig  |  reviewed by Pete Weiss

Headphones tend to get dropped, placed, or temporarily forgotten on the studio floor - right? And then stepped on, tripped over, and/or kicked and busted. And once they are broken, they need to be...

Z-67 tube mic

by ADK Microphones  |  reviewed by Ryan Hewitt

The Neumann U 67 is one of my favorite mics of all time; I use it on nearly every tracking date that I do, on a variety of instruments, including electric and acoustic guitars, as well as vocals. When...

RX 3 Advanced

by iZotope  |  reviewed by Larry Crane

When I began work on what would become Elliott Smith's New Moon album in 2006, I knew I might have a few noise issues to tackle. One song in particular, "Angel in the Snow," had been recorded onto...

RED48 Summing Console

by Coleman Audio  |  reviewed by Garrett Haines

The RED48 is the love child of a control-room monitoring system and a 48-channel summing mixer, housed in a 2RU- height rackmount box with a companion desktop remote. I don't know if anyone else...

B173 mic preamp

by Black Lion Audio  |  reviewed by Pete Weiss

Lately, Chicago-based Black Lion Audio has been earning praise for its sensibly-priced homages to classic audio gear. In particular, the B12A preamp, a half-rack-format API-inspired mic preamp, has...

ONE USB audio interface

by Apogee Electronics  |  reviewed by Jeff Elbel

After making enhancements to the company's two-channel Duet [Tape Op #65, #89] and introducing the four-channel Quartet [#93], Apogee went on to upgrade 2009's original ONE audio interface [#78]. Now...

HOC1 optical compressor

by Hamptone  |  reviewed by Larry Crane

I've been using a pair of Hamptone HOC1 single-channel compressors on my mixing and tracking sessions for several months now, and they have become my favorite tools. I think this is a very unique and...

NT1 condenser mic

by RĂ˜DE Microphones  |  reviewed by Garrett Haines

The original NT1 was a big deal when it hit the market. Back then, most large- diaphragm studio condensers cost over a thousand dollars. Australian company RØDE aimed for the small studio and...

LED covers

by LightDims  |  reviewed by Adam Kagan

Over the past year or two, I have had many pieces of both professional audio gear and consumer electronics that employ exceedingly bright LED lights. In the studio, these lights can be especially...

500-series Analog Delay

by Moog  |  reviewed by Chris Koltay

I tend to think of things in reference to a chronology of gear purchases. Like, "Oh yeah, we had just gotten that mic when we tracked those vocals!" Along those same lines, my studio's chronology...

Sterling ST6050 condenser mic

by Sterling Audio  |  reviewed by Mike Jasper

Sterling Audio teamed up with legendary engineer/producer Allen Sides of Ocean Way Recording to create an affordable go-to FET condenser mic, the Sterling ST6050. Recently, I was lucky enough to try...

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Music Reviews

Silver Bell

by Patty Griffin | reviewed by John Baccigaluppi

I've been a fan of Patty Griffin's since I heard her first album, Living With Ghosts in 1996. The record is just Griffin solo with her acoustic guitar, and the sound quality is pretty rough. It sounds...

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