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Phill Brown has had a 30 year long career as an engineer, something most of us are barely even capable of imagining. And not only has he been working for a long while, he's worked with some of the...
 
We just released the audiobook version of Phill Brown's amazing studio memoir -- Are We Still Rolling? -- which has stories about recording Hendrix, the Stones, Zeppelin, and countless other music icons. We've been releasing one story a day to...
 
We interviewed Phill Brown in issue number 12 of Tape Op. Over the years he's worked with some of the greatest artists ever, like Jimi Hendrix, Joe Cocker, Traffic, Spooky Tooth, Jeff Beck, Led...
 
We just released the audiobook version of Phill Brown's amazing studio memoir -- Are We Still Rolling? -- which has stories about recording Hendrix, the Stones, Zeppelin, and countless other music icons. This week, we'll be releasing one story a day...
 
We just released the audiobook version of Phill Brown's amazing studio memoir -- Are We Still Rolling? -- which has stories about recording Hendrix, the Stones, Zeppelin, and countless other music icons.  This week, we'll be releasing one story...
 
Jon Brion is well known as a session musician, record producer, solo artist and now, with the work he did for Magnolia, a scorer of films. In his world, all of this is equally important and...
 
Here is Arturia's affordable and highly desirable analog synth, the MicroBrute. The little brother to their MiniBrute synth, the monophonic MicroBrute has a new modulation matrix with control-voltage...
 
For the past 11 years, Greg Wilkinson has recorded the Bay Area's crustiest punk/hardcore/grindcore/death metal/doom/black metal at Earhammer, his warehouse studio in West Oakland. He's also played...
 
Master clocks are a near necessity if you own multiple digital audio devices that are interconnected. Sure, you can forgo a master clock and just chain one digital device to the next, each...
 
I caught up with David J. Haskins, a member of the influential bands Bauhaus and Love and Rockets, during a book tour for his new memoir, Who Killed Mr....
 
 
 

Welcome to the Mar/Apr 1999 issue of Tape Op!

Many people seem to wonder what the TAPE OP agenda is all about. I get letters asking why there's not more articles on 4 track recording. Others want to know why it seems all the articles are on "studio guys." Well, the secret is that there is no planned agenda in what we cover. It's determined by what our many writers are interested in, what cool sounding CDs arrive in the mail, recording people who contact us, and many other factors. It's also important to note that many more interviews are discussed, executed and even finished than what you see in a current issue... we try to pick the cream of the crop and present a well-balanced magazine.

It's also important to remember that no matter what you are doing, it still ends up as a couple of tracks of audio in a playback system. We can spend all day talking about which mic will make a kick drum sound better, but in the end what really matters is if there's something fun to listen to. There is no right, there is no wrong, but there are lots of great albums out there to make.

#12

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