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Additions to TapeOp.com

As we pack our bags and prepare to head down to Los Angeles for the 137th Audio Engineering Society Convention (here is how the thing began in 1948), we thought we'd drop you a line and let you know what we'll be up to once we get there. Come...
 
We are missing the departed Lou Whitney today. Here's Vance Powell's fantastic interview with him from Tape Op #98 for everyone to read. - LC
 
Richard Kaplan, owner engineer of famed recording studio Indigo Ranch [Tape Op #103] is selling the remainder of his classic equipment collection.  It includes vintage and rare pieces by API, Aengus, Fairchild, Teletronix, Neumann and...
 
I'm not actually going to review the music on this record; it's free, just go get it and listen to it yourself. Instead, I'm a bit fascinated by the mechanics of the release itself. As my wife said when I told her I had the record, "Does anybody...
 
Just a quick note about the upcoming Audio Engineering Society (AES) convention in Los Angeles. We have arranged for all Tape Op readers to receive a free Exhibits Plus Badge to the convention. This badge is good for the Exhibition PLUS all...
 
 
 
Legendary record producer Bill Szymczyk helped dial in sounds for The Eagles, Joe Walsh, The James Gang, The Who, Elvin Bishop, and The J. Geils Band. Many have argued that AOR...
 
From the moment I first heard Joy Division's two studio albums, Unknown Pleasures and Closer, I was affected. Initially I returned the LPs to my friend Steve, saying, "These are too gloomy. I don't...
 
With 2014's Lost in the Dream, The War on Drugs have made it onto most people's playlists. Frontman and producer extraordinaire Adam Granduciel was kind enough to take a break from touring to...
 
 
 

Welcome to the Mar/Apr 1999 issue of Tape Op!

Many people seem to wonder what the TAPE OP agenda is all about. I get letters asking why there's not more articles on 4 track recording. Others want to know why it seems all the articles are on "studio guys." Well, the secret is that there is no planned agenda in what we cover. It's determined by what our many writers are interested in, what cool sounding CDs arrive in the mail, recording people who contact us, and many other factors. It's also important to note that many more interviews are discussed, executed and even finished than what you see in a current issue... we try to pick the cream of the crop and present a well-balanced magazine.

It's also important to remember that no matter what you are doing, it still ends up as a couple of tracks of audio in a playback system. We can spend all day talking about which mic will make a kick drum sound better, but in the end what really matters is if there's something fun to listen to. There is no right, there is no wrong, but there are lots of great albums out there to make.

#12

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