All Features | No. 35
Under The Radar: A sampling of the home-made CD-Rs and cassettes we receive.
by Matt Mair Lowery
articles
from issue no. 35
John Goodmanson: From Sleater-Kinney to Wu-Tang
by John Bosch
John Goodmanson inhabits a unique place in the world of recording. Frequently traversing the country from his Seattle base to mix projects by major label artists like Wu-Tang Clan and Blondie, his...
John Goodmanson: Why Use Reference CDs While Mixing?
by John Goodmanson
Coming up in the recording environment of Seattle there was no local mastering to speak of, so when mixing I learned to get it as close to a finished master as possible before sending it off to be...
Jason Falkner: Home studio wizard & songwriter
by Larry Crane, Andy Hong
He's been a member of The Three O'Clock, Jellyfish and The Grays. His voice and instrumentation appear on albums by Beck, Susanna Hoffs, Eric Matthews, Aimee Mann, and Air. He co-wrote, produced,...
Malcolm Burn: Recording Emmylou, Dylan & The Nevilles
by Larry DeVivo
It was a beautiful sunlit morning the day I headed down to interview producer/engineer Malcolm Burn. While driving, I couldn't help but ponder what the day had in store for me. Malcolm had invited...
Boots Riley: The Coup and Hip-Hop mixing
by Leigh Marble
The Coup is a hip-hop group from Oakland. They have an outwardly Marxist bent, which has earned them diehard fans as well as vituperous criticism from mainstream pundits. But that won't be our...
Geoff Daking: Behind the Gear
by Eric Broyhill
A character, genius and great host are just a few of the words to use in describing Geoff Daking. A resilient man having survived an entire US tour with The Who opening for his band, The Blues...
Plink: Recording via the Internet
by Nick Altebrando
Plink is the brainchild of Scott Evans and Brad Derrick. Scott's a computer programmer by day with a long list of song writing and production credits. Brad is a sound designer for video games, a...