Many Tape Op readers likely can’t imagine that issue #1 was Xeroxed and hand-folded 28 years ago, but it was. People may think of us as DIY, but there’s a long history of so many helping this magazine be its best, beginning with friends...
Reader Brent E (bcengels at yahoo dot com) sent in some cool links about audio.
The possibility of and “acoustic cloak” is discussed. The future of studio soundproofing?
Music and Auditory illusions are discussed in the New Scientist
My pal Howard Bilerman of Hotel2Tango studios in Montreal is hosting and interviewing for this excellent event. It's in conjunction with the fantastic PopMontreal music fest. OCTOBER 2nd, 4:30pm. The secret you get here is that "the following day,...
I got an email the other day from a PR person looking for Tape Op to write an article about several "known" engineer/producers and their drum recording techniques in the studio. These guys are known, and one of them we've written about and I think...
Dear Tape Op Readers,
As you know many of our family, friends and colleagues on the East Coast have been hit hard by Hurricane Sandy last week.
Led by Ken Bogdanowicz of Sound Toys, several of our advertisers have joined together to help raise...
The Smart Studios Story
Wendy Schneider, director
At this point, Butch Vig [Tape Op #11] and Smart Studios are the stuff of legend. From the album that destroyed music’s status quo (Nirvana’s Nevermind), to Smashing Pumpkin's Gish...
Dear Tape Op reader:Some folks might not know how inextricably connected Tape Op editor Larry Crane's recording studios have been to the history of Tape Op Magazine. His first home studio, Laundry Rules, was in a Portland basement at 33rd and...