I couldn't have said it better myself. In fact, I say this all the time. Drop by Jim Powers' Music Shrink website and read his articulate post on the subject.
Tape Op is a bi-monthly magazine devoted to the art of record making.
OK, fine, I admit it -- I secretly envy hip hop's most ostentatious bling nuggets (T-Pain's new joint makes me particularly weak-kneed), but let's face it, none of that stuff has any place adorning a guy like me, even if the recession means I now...
Well, not my maker but the man behind the baby that is our RND5088 console at Jackpot! I got to spend a little time (and a photoshoot) with Rupert Neve at The Magic Shop in NYC during the AES convention last week. Thanks to Steve Rosenthal for...
We interviewed Loma in Tape Op issue #148 and spoke with members Dan Duszynski, Emily Cross, and Jonathan Meiburg about their recording process. Emily also did the cover art for that issue, and Jonathan is also a member of Shearwater and a Tape...
By Pete Droge
Recently, I unearthed a cassette tape from a box labeled "late 90s." The spine read "Warren Pash at Got Wheels." The tape contained two Pash originals I produced, engineered, and mixed: "Blue River" and "Bones & Stones."
...
A few years ago a Northwest music mag (now defunct) interviewed some Portland "best new band" character and the moron spouted out that nothing had been going on in Portland before his band moved to town - that this was the turning point when...
by Larry Crane
In 1996 my life changed. A few years earlier, I had been in a busy band (Vomit Launch, a precursor to what became indie rock) putting out albums and touring for almost eight years. In late 1992 we called it quits. I’d moved...
I was gonna run this in the letters section of issue #78 coming up, but I just felt it was too long to fit well. -LC
I just finished reading the letters section in the new issue [#77] regarding interns, and wanted to relate my experience. A couple...
Since putting a pair of these modules in the rack it is has been a struggle to choose whether or not they go on the vocal or the mix. The vocal ususally wins, but it's a tough call. It doesn't take much to give your lead or bgv's that special...