If you are a Tape Op reader, you know our recent issue #136 had a focus on Dub Reggae. But beyond King Tubby, Lee Perry and Scientist, many people wonder where they should start with their listening to explore the genre. I asked recent interviewee...
The 129th AES Convention takes place Nov 4-7, and the Exhibitor's Hall is open Nov 5-7, where we'll be sitting patiently at a table giving away Tape Op magazines to passers by and answering questions about where the bathrooms are located and...
My best friend and business partner, John Baccigaluppi, is moving out of the old building that houses his studio The Hangar (along with his Tape Op office) and had been part of his life since 1990. I played on some of the earliest records from...
After 20 years at the Davis Square location (and a previous 15 years on Albany Street), Boston’s Q Division Studios had to close its doors in July of 2021. Through the years, Q Division was host to a diverse group of artists, including Aimee...
Simultaneously making apparent the depths of both my dorkiness and my loyalty, I steadfastly stood by Imogen Heap's "Hide and Seek" all through its various tribulations over the last couple years -- first with its questionable placement on the OC,...
Reader Brent E (bcengels at yahoo dot com) sent in some cool links about audio.
The possibility of and “acoustic cloak” is discussed. The future of studio soundproofing?
Music and Auditory illusions are discussed in the New Scientist
Our pal Ronan Chris Murphy does this cool "TV" show on his site, http://ronansrecordingshow.com, and the most recent one is with me and John Baccigaluppi where we talk about Tape Op Magazine. I think it's a good insight into how the mag works and who...
This issue’s cover is an homage to the Pink Floyd song “Echoes,” from the album Meddle. The idea came to me after I saw Brian T. Silak’s photo of Jack Antonoff’s vintage tape delays, as the Binson Echorec...