It is often challenging within a review period to fully explore a piece of gear and integrate it into the daily workflow. It's not that reviewers won't use the feature set and put it to task in at least a few applications, but to truly get to know...
There has been a heightened interest lately in using stompboxes and pedals as part of the mixing process. There are a few ways to interface your pedals with your system, but here is a quick video on how I do it using the Meris 440 500 series mic-pre....
So here's a pile of CDs I'm supposed to be listening to right now instead of enjoying The Skids' Sweet Suburbia album. Some of these I actually bought (so I should be enjoying them I guess) and some were handed over by friends (yes, the Scott...
In editor Larry Crane's recent End Rant [Tape Op #127], he talked about how people are currently learning recording techniques, all of the misinformation on the internet, and how this leads to the homogenization of music making in general. All of the...
Dear Tape Op Reader,
We wanted to let you, the folks we make this magazine for, aware of a fundamental change in our business.
Short version: We are cutting our ad rates nearly in half.
Why?
Here's the long version: Tape Op is an...
My pal David Lowery (Cracker/Camper Van Beethoven) has been doing a cool blog called 300 Songs, telling stories of how songs came about and other crazy stories. The most recent one is about the late Don Smith, who produced and engineered a bunch of...
Gurf Morlix (Tape Op # 76) recently released a 15 song collection of songs written by his longtime friend and runnin' buddy, Blaze Foley - Blaze Foley's 113th Wet Dream. The CD has been released in conjunction with the...
Years ago John Fischbach, a well-established and respected producer/engineer, came to my studio to record an album that our mutual friend, Luther Russell, was producing. [See Tape Op #21.] In those days my studio, Jackpot! Recording, was a diamond...