Get Your Free Pass to AES in NYC on Tape Op!
http://www.aesshow.com/aes17top
Get Your Free Pass to AES in NYC on Tape Op!
http://www.aesshow.com/aes17top
Hello Friends of Tape Op! We have some fantasic gear giveaways happening right now. Who doesn't need a bundle of excellent plug-ins or a new interface? Eventide Elevate Mastering Plug-in BundleArturia Studio and Plug-Ins
By November 24th we will have installed a new Rupert Neve Designs 5088 console at my studio, Jackpot! Recording Studio, in Portland, OR. Excited? Of course. And look, no EQ, no preamps and no automation. Just pure, perfect analog mixdown heaven. You...
We're thinking of printing some bumper stickers to help promote the Tape Op brand name. Our ideas have included: "My Other Car is a Tape Op" "My Child is an Honor Student at Tape Op" "Honk if You're Tape Op" "I'd rather be reading Tape...
Tape Op contributor Allen Farmelo has written a fairly in-depth post regarding his processes for capturing and processing sounds on his wonderful blog. Check it out. I bet even some experienced engineers will take note of some of the ideas Allen puts...
Quantegy , despite the oddity of still being an active link, posted this announcement recently: "Plans are being formulated for the revival of Quantegy 499 Gold Studio Mastering and GP9 Platinum Studio Mastering audio products, as well as the Black...
As we close the page on 2010 and its miserable economy, there was one bright spot for music lovers: VINYL. That's right, vinyl. That analog medium that just won't die. According to Rolling Stone* vinyl sales were up in 2010....
Okay, I'll admit I vote for the Grammies. Yup. Why? Besides the sometimes odd spectacle of the Grammy Awards, NARAS does some cool stuff in the music community (like the Seattle Studio Summit), MusiCares and the Producers and Engineers Wing. So I do...
***This is a guest "re-post" from the SoundGirls website (courtesy of SoundGirls and Ainjel Emme)*** THE DOUBLE GLAZED GLASS CEILING: Women and the Grammy for "Producer of the Year, Non-Classical" by Ainjel Emme (originally...