Interviews | No. 40
By Roger King and Craig Schumacher
At the TapeOpCon this year our Keynote Interview will be New Orleans recording legend Cosimo Matassa. This is a man who should go down in the history books with as much acclaim as Sam Phillips, Bill P...
Hardly known, yet everywhere at the same time, Bryce Goggin has managed to help create seminal albums for Pavement, Spacehog, Evan Dando, Elliott Sharp, The Lemonheads, Kim Deal's Amps, The Apples in...
Ten years ago, Bruce Watson was just another would-be musician, running a department store by day in his adopted home of Oxford, Mississippi, and recording demos on his home 8-track for his friends in...
East of Louisville, Kentucky, in a small town called Shelbyville, Paul Oldham has been recording some of the most unique and important American records of our times. His work can be heard on everythin...
I've been listening to Bonny "Prince" Billy's Master and Everyone a little obsessively lately, so it seemed auspicious when the chance to interview him came up. At his hotel, we talked about the new B...
In Tape Op #31, West West Side mastering engineer Alan Douches observed that sometime in the next millennium, retro-minded sound smiths will be seeking to recapture "that classic late-century ADAT stu...
Fran Manzella, designer of East Hill Studios, Masterdisk, Sterling Sound, Stratosphere Studios and many, many others, learned studio design through his inquisitive nature and determination to understa...
BLUE (Baltic Latvian Universal Electronics) builds some of the finest microphones available today. The company's commitment to manufacturing its own parts, from condenser diaphragms to the tiny screws...