Ethan Johns would be of note to the recording world if only for his familial ties. Being the son of Glyn Johns [Tape Op #109] and the nephew of Andy Johns [Tape Op #39], one might assume...
My friend Luther Russell and I have worked together on a number of records for artists and years ago we spent a lot of an Internet music site's money making a solo record for Luther that never came...
An eye-catching and imposing centerpiece of Ethan Johns' studio is the unique wraparound console he inherited from his father, Glyn Johns. We sat marveling at the console and picked Ethan's brain...
David Torn is a tough man to pin down — literally and figuratively. One day he's in his upstate New York project studio as a solo artist/avant- guitarist working on the follow-up to his...
The most important question is, 'What the hell are we gonna eat for lunch?'" This is how photographer Brian Silak and I were greeted by a portly and extremely jovial Jim Czak, co-owner and chief...
One-time major label artist turned gear designer James Demeter talks about tubes, spring reverb and building gear for REO Speedwagon. Demeter Amplification was one of the first companies to...
If I mix someone else's recording, is that particular mix my intellectual property? While there isn't a specific court case as a precedent, the answer seems to be yes. In an era where a reference mix...
I'm going to let you in on a little secret — one that few engineers talk about and several will want to kill me for writing about. What if I told you there was a microphone preamp that could...
