Interviews | No. 54
By Terry Setter
When you ask someone in the recording business who the top engineers and producer are, you won't have to wait long before hearing the name George Massenburg. His recording and producing credits are as...
Looking at the world of professional producing, mixing and engineering, one could be excused in thinking that certain people only work within specific genres of music. Names get associated with bands,...
Contemplating the fullness of his schedule and the richness of his life in music, Richard Barone posits the notion that "a producer's work is never done." From his childhood days in Florida as The Lit...
Classical recording engineers rarely get the same attention that their pop and rock counterparts do. While pioneers such as Robert Fine [Tape Op #90] (Mercury, Fine Sound), Kenneth Wilkinson (Decca),...
When Frank Swart, bassist in The Billy Nayer Show (and who engineered The Pixies' first recording, is responsible for many of Morphine's fat tones, and continues to record his band Post Junk Trio), di...
Once upon a time, there was a company called Stephens Electronics. They went head-to-head with Ampex, MCI, Studer and 3M, building tape decks that some folks still worship as the best sounding in the...
Introduction: From recording software to rack gear to large and small mixing consoles — audio meters are a part of everyday recording life. Unfortunately, the best way to read, interpret, and calibrat...