Even though I finished a review of more than 80 small-diaphragm mics last summer (Tape Op #72), I'm still discovering and testing SD mics and expect to do so on an ongoing basis -probably for the rest...
Before you read F. Reid Shippen's review below, let me first explain to you why I chose a Monitor ST/SR system for the client theatre at The Station, a NYC-based video production facility that I...
Steinberg Nuendo has been my main DAW for a couple years now, and during that time, both Nuendo and its sibling application Cubase took two minor steps in version number, but with each update, I was...
For me, "perfect rooms" are boring. I like to hear the walls bounce and the floor shake. Spaces with character change the way we perceive both the music we love and the music we make. Unfortunately,...
The last chapter in the "Jitter Saga" has yet to be written. But the penultimate chapter has just been written by Grimm Audio, who have challenged the most sacred concept -the commonly-held notion...
Stylus RMX has been on the music scene since 2004 and has been and continues to be a "go to" tool for good reason. There simply hadn't been anything before it that could manipulate real audio files on...
feature offers huge flexibility for tailoring dynamic rhythms or accents to really fit the mood of the composition; and using the grooves as a MIDI template, it's easy to substitute the triggered...
In my composition work, I have spent countless hours assembling a virtual orchestra using a variety of libraries and numerous MIDI channels for each of the individual instruments that make up each...
Strings are notorious for being the least life-like patch in any sample library, and as of a couple years ago, I believed that I would never work with a realistic string sample without taking out a...
