Converters and clocks are hotly debated topics, and it’s been my opinion for a while now that the reason they’re such sore topics is that people are often trying to establish objective and...
I’ve said it before; I really like being in audio production right now. There is a seemingly endless supply of small manufacturers that are bringing innovative products to the market. This is...
Do you love analog synthesis? Great, let’s nerd out on Control Voltage for a bit. CV is essentially the analog equivalent and predecessor to MIDI. It’s a tried and true method used to...
Here I am, Tape Op’s Gear Geek, butting into an otherwise enthralling review from Joel Hamilton. After reading Joel’s draft of this review of the Yardstick, I asked him to send me the unit...
Like it or not, bands view audio engineers as subject-matter experts when it comes to “the music industry.” And while you probably don’t mind providing pointers and suggestions,...
Two opinions, the first from contributor Marc Alan Goodman, who is the owner/operator of Strange Weather in Brooklyn, and a second from publisher John Baccigaluppi, who owns The Hangar in Sacramento....
Just preceding the launch of Pro Tools 9, Avid released new versions of their venerable Mbox audio interfaces. Confusingly, the product names are now simply Mbox, Mbox Mini, and Mbox Pro, while...
A couple months before the official unveiling of Pro Tools 9, Avid shared with the press that it was implementing significant changes to its customer value proposition. We were given a few sparse...
This “matrix based modular synthesizer” softsynth, based on the EMS VCS 3, was an impulse purchase for me on AudioMIDI.com’s eBay store – one of their “No Brainer”...
