I've always wished there was a recreation of the Urei 1178, the stereo version of the Urie/Universal Audio 1176. With its FET-based compression and simple stereo link controls, the fresh-faced lads at...
As noted in my review of their new 32Classic console [Tape Op #159], in the of classic records, Harrison Audio had just as formidable a studio presence as console standard-bearers like Neve, MCI, API,...
A new, affordable, single rack unit channel strip, Rupert Neve Designs' Newton Channel isn’t a stripped-down version of their Shelford Channel [Tape Op #118] or a direct replacement for the more...
The Carnaby 500 is a groundbreaking audio processor. Hands down, this device is stunning. At first glance, it looks like a three-band EQ – which it kind of is – but it's not like any...
The Sonnox Claro equalizer (from their Toolbox range of plug-ins) is a fantastic sounding, intuitive EQ for professionals and beginners alike. Multiple interface options provide visual feedback in...
As an owner of an API 1608 console [Tape Op #81] loaded with a bunch of API 550As, 550bs, and 560s [#26], I’m pretty familiar with API’s EQs in general, and I think they sound great. My...
Calling the EQ52 from Ingram Engineering a plain old “EQ” is like calling a rocketship a paper airplane – not correct. You can’t just insert this module into your 500 Series...
Eventide has released its new innovative EQ plug-in, SplitEQ. I use the word “innovative” because, after only a few minutes of messing around with it, I couldn’t help but wonder how...
In an incredibly saturated market, where there is a piece of equipment for every possible scenario – like a mic pre or EQ for hi-hat top and bottom on a full moon with 57% humidity – I am...
When I recently reviewed the Fredenstein Bento 8 500 series chassis [Tape Op #144], the company kindly included a clutch of their own 500 Series units to demo as well. I had fun tracking and mixing...
The ULTRAVIOLET EQ from SSL is a 500 Series format expansion of the Fusion processor’s [Tape Op #131] Violet EQ. It retains the high-pass filter and four-position stepped high and low bands and...
This past year I’ve been on a low-key “Pultec quest.” I’ve always loved the sound of the famous blue passive EQ – the big curves, simple design, and ease of use has...
When I purchased an unloaded API 1608 [Tape Op #81] console last year, I immediately began searching for a 500 Series EQ that was versatile and affordable, with exceptional sonics. Enter Trident Audio...
