When I tested the ADAM Audio A7V nearfield monitors [Tape Op #153], I also acoustically measured my control room for the first time. It brimmed with problem areas. Though I will defend home recording...
It may be a rhetorical question, but when did it become necessary to integrate a subwoofer into our monitoring setups? I can remember a time in the early 2000s when subs seemed more of an inconvenient...
Low end management is the bane of every mixer’s existence. Too much low end can eat up all the space in your mix, and too little makes a mix sound thin and amateur. Depending on your mixing...
KRK’s 10S powered subwoofer is the company’s latest innovation aimed at enhancing their ROKIT G4 [Tape Op #137] and V-Series [#118] monitoring systems. Built on KRK’s legacy for...
PSI Audio started making speakers before some of us were born. Alain Roux introduced his designs in 1975, while a student at the Swiss Federal Institute of Technology in Zurich. His company eventually...
Did you know it’s possible to spend $4000 on a 12-inch powered subwoofer? Wait, no, that’s not what I’m reviewing here! While writing this review I ended up scanning Sweetwater and...
If you really think about it, choosing studio monitors is strange – they shouldn't sound like anything. They need to be capable blank slates. We base most of our decisions on monitors, but if...
I've run expensive professional studios, visited many friends' small home project studios, and at home I have what you might loosely call a studio. I've heard incredible music produced in home...
Last year, while Scott McChane was evaluating a number of affordable nearfield monitors for his home studio, we had a conversation about subwoofers. I'm a big proponent of using subwoofers with...
Here at Tape Op, we've covered several of ADAM Audio's fine products, so I won't go on about introducing the company again. I will, however, remind you what they're known for: the employment and...
