Gear Reviews

Issue #76

NO. 76

S&M Audio: EQSM1 500-series EQ

REVIEWED BY Kirt Shearer

Even though the format has been around for decades, there has been an explosion of products in the last few years produced for the 500-series format. About the only thing that hasn't been shoved into one is a pair of nearfield monitors. This popularity is a good thing, because it means that...

NO. 76 Gear Review

Ableton & Cycling '74: Max for Live

REVIEWED BY Dana Gumbiner
March 15, 2010

Cycling '74 and Ableton have introduced a fascinating new version of the Max programming environment tailored specifically for instrument and effect creation within Live (Tape Op #72). Max/MSP and its video-oriented cousin Jitter have long been the go-to object-based programming environments...

NO. 76 Gear Review

PreSonus: Studio One Pro 1.0.2

REVIEWED BY Staff Writer
March 15, 2010

My primary music DAW is now Studio One Pro. When I first saw the advertisement for it, I thought, "That looks cool, but not cool enough to spend the time learning a new DAW. My DAW's working fine." I am really glad that Tape Op gave me the opportunity to review it, because I...

NO. 76 Gear Review

TRUE Systems: PT2-500 mic preamp

REVIEWED BY Craig Schumacher
March 15, 2010

New at the 500-series lunchbox cafe this week is the PT2-500. TRUE Systems' Tim Spencer has managed to take the clean, full sound of his P2analog (Tape Op #44), create an even more full-bodied, high-resolution mic preamp/DI with his new "Type-2" circuit design, and shrink it down to...

NO. 76 Gear Review

Euphonix: MC Mix, MC Control, and MC Transport

REVIEWED BY Allen Farmelo
March 15, 2010

Whether to work with a control surface or not is a personal decision. If you do prefer to have faders, knobs and buttons under hand, the one thing we will all agree on is that the integration between the surface and the software is the key ingredient. Tight integration is why we still have...

NO. 76 Gear Review

Shure: SRH840 headphones

REVIEWED BY Brandon Miller
March 15, 2010

Shure just launched its first line of headphones aimed specifically at music-making applications -the SRH series. The idea's been to fill a growing demand for pro-level gear by an audience that's breaking from the norm. Improvements in the performance of software and the chaos of the...

NO. 76 Gear Review

iZotope: Alloy plug-in

REVIEWED BY Dave Hidek
March 15, 2010

I've been hesitant to write this review, as I'd prefer that no one else know about iZotope's Alloy but me. Being a long time iZotope fan, I was excited to work with their new do-it-all plug-in, and it didn't disappoint. Alloy, like its name suggests, is a conglomerate of several...

NO. 76 Gear Review

Redco Audio: TT/DB25 patchbay & cabling

REVIEWED BY Allen Farmelo
March 15, 2010

With ubiquitous products like Digidesign's converters (now Avid) having adopted the balanced 8-channel DB25 connector as standard, these jacks have found their way onto all kinds of pro gear. There are two standard pin-outs for DB25 wiring: Yamaha, which is typical for digital connections; and...

NO. 76 Gear Review

Universal Audio: UAD-2 Powered Plug-Ins

REVIEWED BY Neil Mclellan
March 15, 2010

When I recently wiped the system disk of my primary music computer to replace Windows XP Pro with Windows 7 Ultimate 64-bit, I installed only the applications that I knew I'd be using regularly. Similarly, I didn't bother adding any plug-ins or accessories that I didn't find...