It was five years and one issue ago when I reviewed the Event 20/20 monitors (Tape Op #18), and they've been my mainstays ever since. I raved about them then, and I still like them, but after doing...
Longtime readers with amazing memories may recall my review of WaveLab 6 [Tape Op #62]. I was already a veteran user of this mastering suite at that point, and back then I said, "Writing about WaveLab...
So, what we have here is a big (3RU-height), heavy (26 lb) black box filled with tubes and transformers, from a company called Black Box Analog Design. That's a lot to like already, and I haven't...
Awhile back, I was looking to augment my meager mic preamp collection, as I found myself not having enough "good" preamps to track a band all at once. I had read a lot of praise for the DAV Broadhurst...
Seems like every time I get into a conversation about recording, it goes something like this. Me: "Blah blah room mics blah compressors blah." Them: "Yeah, cool! What program do you use-Pro Tools?"...
Does the Beyer M 160 even need a review? Surely everyone knows by now that this is the mic Andy Johns used to record John Bonham's drums on "When The Levee Breaks". Does anything else need be said? I...
So I get home one day to find both an Allen & Heath MixWizard3 16:2 DX and a PA28 waiting for me. Combined with my Mackie 24•8 and the other mixers around the house, this gave me about...
The Green Bullet, as you likely know, is designed as a mic for harmonica players. You plug it into a guitar amp, and there's your classic blues harp sound. I don't play harmonica or even know anyone...
While I gave the mic preamps in the Focusrite ISA 428 a favorable review back in Tape Op #38, I wasn't able to check out the optional, eight-channel, 192k-capable A/D converter in time for that issue,...
The ISA 428 is Focusrite's entry in the rapidly crowding DAW front-end field. Stock, it's basically four mic preamps in a box. With the addition of an optional card, you get eight channels of 24-bit,...
The AT3060 is a large diaphragm tube mic that runs on 48V phantom; there's no external power supply. There's also no frills: it's cardioid only, there's no low cut, no pad, no nothing. Just mic. It...
Something old, something new from MXR. New first. When I was shopping for an affordable bass DI, I was intending to pick up the Sansamp on Larry's recommendation in these pages long ago, but somehow I...
The M-3 is an 8-channel mixer clearly aimed at DAW users as a tube front/back end for those cold, hard computers. Many people seem to have issues with digital mix busses, and the M-3 is one of several...
