In 1971, when I was 16, I used to work as a grounds keeper at a tennis court complex just outside The Hague in the Netherlands. It was a summer vacation job, and my goal was to save enough money to purchase my first two LPs. I had my sight set on Boomer’s Story by Ry Cooder and Everybody Knows This is Nowhere by Neil Young & Crazy Horse. Tracks from the albums were often played late at night on Radio Caroline, a pirate radio station floating off the coast of Holland. I was mesmerized by the power of the music, and its ability to transpose me to another world, a sun-kissed Southern California. View PDF
All Features | No. 33
Pre Production: Pre-Production Primer: Fixing Your Songs
by Neal Schmitt
A vital, cost-effective and often neglected step in attempting to put your music on tape is the concept of pre-production. Planning ahead can save money (and time) in the studio. Budget...
