You know those ads? Yeah, some Photoshop jockey took the GUI of a plug-in and made it look like a piece of outboard gear, a synth or something. Drives me nuts. For years I couldn't figure out if one plug-in, I think it was Trilogy, was "real" or not. Ugh.
Image courtesy of Sonic Finger
Tape Op is a bi-monthly magazine devoted to the art of record making.
Photo: Larry Crane
The recent passing of Ed Cherney sent me to my archives. I'd interviewed Ed many years ago and he asked me not to run it. We went back and forth about it, and I never understood why he didn't want this interview in Tape Op....
That’s right, somehow a lowly engineer and magazine editor that can’t even type has been asked to read some excerpts from Tape Op: The Book About Creative Music Recording Vol. II and moderate a panel at world-renowned literary event,...
Everyone has been talking about Dave Grohl's new documentary Sound City a lot lately. That's cool; it's a fun romp of a movie, even if Dave can't decide whether he's making a film about a Neve console, a dying studio, a rock star jam session or an...
I liked your end rant - what they didn't tell you in school - and I generally concur. For better or worse, I generally do things differently than the way students are taught in other classes, an approach that is perhaps more likely to cause trouble,...
Our friend and Tape Op contributor Neal Casal left us one year ago today on August 26, 2019.
Since then, a team of his close friends dug into the archive of music and photography he left behind to create items raising awareness and funds...
Reader Mike Petkau dropped a line about the cool site and collaboration he started:
"I wanted to point you to a project I've currently wrapped up. For 16 weeks, every Wednesday, I've brought 3 very different musicians from different backgrounds to...
This issue’s cover is an homage to the Pink Floyd song “Echoes,” from the album Meddle. The idea came to me after I saw Brian T. Silak’s photo of Jack Antonoff’s vintage tape delays, as the Binson Echorec...