I couldn't have said it better myself. In fact, I say this all the time. Drop by Jim Powers' Music Shrink website and read his articulate post on the subject.
Tape Op is a bi-monthly magazine devoted to the art of record making.
Enjoy a light-hearted animated romp courtesy of xtranormal.com's wonderful service. This is a real comment posted to our blog here. Sure is nice to feel the love.
Our friend and Tape Op contributor Neal Casal left us one year ago today on August 26, 2019.
Since then, a team of his close friends dug into the archive of music and photography he left behind to create items raising awareness and funds...
At our Tape Op Party during SXSW last week the fine folks at Sound Toys announced and gave away a new plug-in - the Devil-Loc! You have to grab this before March 31, 2011. Act now!
Go here for the free Devil-Loc Plug-in
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So here's a pile of CDs I'm supposed to be listening to right now instead of enjoying The Skids' Sweet Suburbia album. Some of these I actually bought (so I should be enjoying them I guess) and some were handed over by friends (yes, the Scott...
Thom and John had a great time at Loop 2018, so we wanted to let everybody know that Loop 2020 is open for registration now. This event always sells out way in advance, so don’t...
Happy New Year! Now that the dust has settled from the holidays, and most of us are in the 2024 groove, we thought we'd offer a quick look back at some of our favorite releases from 2023. There was a staggering amount of great music released this...
It is often challenging within a review period to fully explore a piece of gear and integrate it into the daily workflow. It's not that reviewers won't use the feature set and put it to task in at least a few applications, but to truly get to know...
What? Huh? That's right, now you can "use classic studio gear online." This guy Fredrik created some way to remotely set compressors and equalizers and then pass your audio through them. Pretty genius and probably the wave of the future for certain...
by Larry Crane
In 1996 my life changed. A few years earlier, I had been in a busy band (Vomit Launch, a precursor to what became indie rock) putting out albums and touring for almost eight years. In late 1992 we called it quits. I’d moved...