All around great engineer, and good guy, Ronan Chris Murphy has a few episodes out of his new Ronan's Recording Show. Some studio tours, gear reviews and a look at the SwirlyGig drink holder! Check it out.
Tape Op is a bi-monthly magazine devoted to the art of record making.
As we exit the era of digital audio data compression and begin the ascent into higher sample rates for consumer consumption (via multiple platforms, though most popularly Neil Young's PONO system), we are finding ourselves as a community of...
I'm posting this for John as he's finishing up the next issue of Tape Op. -LC
John Baccigaluppi's 2008 AES Surf Report This year's AES show in San Francisco was a lot of fun. The day before the show, I drove with our UK publisher Al Lawson and his...
Eric Liljestrand remembers his friend and working partner Hal Willner
Hal and I spent countless hours, days, weeks, months in dark rooms all over creating some of the most original albums and film scores the world will ever hear. A solid third of...
Larry Crane adds an update to Marc Alan Goodman's orginal review of the Burl B80 Mothership.
Marc Alan Goodman says in his original review, “It's rare to find a single piece of gear that elevates not only my entire...
My pal Ethan Winer is half of the company Real Traps and hosts a page of all sorts of articles and information about acoustics and control rooms at this site: Real Traps
One of my favorite pieces nearly ended up in Tape Op Magazine but after I...
Pitchfork TV (some spinoff of the horrible, snotty music crit site) has launched a series called A>D>D.
"The title for the series is based on the ADD/AAD/DDD codes that appeared on compact discs in the late 80s and early 90s, in which ADD...
Wall Street PR reports on the woes of Avid, the company behind Pro Tools. What does the future hold?
I'm just terrified of having to learn a new platform, buying more gear and software, and there not being a de facto DAW standard for professional...