If you're sending tracks to other folks for mixing and/or sorting out, here's a suggestion from our pal Goat(boy), Andrew Gilchrist. -LC
Larry, Sitting on a plane, flying today from Spain to Switzerland, on my seemingly endless tour. Finally...
By Pete Droge
Recently, I unearthed a cassette tape from a box labeled "late 90s." The spine read "Warren Pash at Got Wheels." The tape contained two Pash originals I produced, engineered, and mixed: "Blue River" and "Bones & Stones."
...
Matt McGlynn over at the informative Recording Hacks site has a section devoted to Tape Op mic reviews. Not all of them are up yet, and we're not quite sure why he wanted to tackle this project (crazy? smart? nice guy?) but it's up there. Now I can...
My pal Ethan Winer is half of the company Real Traps and hosts a page of all sorts of articles and information about acoustics and control rooms at this site: Real Traps
One of my favorite pieces nearly ended up in Tape Op Magazine but after I...
Spring has sprung in the Northwest, which means it's still raining, and possibly snowing with a few stellar sunny days thrown in for good measure. The trees are leafing out and there is that lovely dusting of pollen and fallen cherry blossoms on...
Our friend and Tape Op contributor Neal Casal left us one year ago today on August 26, 2019.
Since then, a team of his close friends dug into the archive of music and photography he left behind to create items raising awareness and funds...
It is often challenging within a review period to fully explore a piece of gear and integrate it into the daily workflow. It's not that reviewers won't use the feature set and put it to task in at least a few applications, but to truly get to know...