This may be the most indispensable tool in my studio. I hear people say that converters don't matter and that most cannot hear the difference. Bullsh*t!
If you cannot accurately hear what you are doing you are making uninformed choices. They call...
Dear Tape Op reader:Some folks might not know how inextricably connected Tape Op editor Larry Crane's recording studios have been to the history of Tape Op Magazine. His first home studio, Laundry Rules, was in a Portland basement at 33rd and...
Sick of this economy and its doom and gloom? Sick of bands saying they don’t have money to record? Sick of top 40 radio? I have the answer: do something about it.
Support independent musicians by going out and purchasing CDs from bands...
I couldn't have said it better myself. In fact, I say this all the time. Drop by Jim Powers' Music Shrink website and read his articulate post on the subject.
During this year's SXSW music festival someone asked me how many times I'd been to Austin, Texas, for this event. I had no idea. Eight? Ten? Since the mid-'90s I've certainly attended many times, most as a panelist, but always as a music fan. And...
Fire Extinguishers in the Studio - [Note to our EU readers. I don't know if the U.S. letter conventions apply in your locale, but the fundamental suggestions in this post are universal.]
It’s a really smart idea to have a couple of fire...
Check out Ross Healy's VICMODBLOG on analog modular synths. He interviews "people who build and sell modular gear and forgotten electronic musicians." Cool stuff.
Speaking of the art world, reader Halsey Burgund sent a link to his installation that “involves some unconventional recording techniques, mainly doing it wirelessly and using lots of open-source and customized software.” Looks like fun...
By Justin Douglas
When you hear a particularly moving piece of music, and you get that little chill that runs from the top of your scalp down your spine, that’s a specific network in your brain logging that music into your memory....