In the never-ending, century-old battle between corporations and content producers: I give you the latest bit of pro-artist activism. This is taken directly from the Grammy Foundation's website:
Tell Congress to Save Music and Stop the "Pandora...
I'm posting this for John as he's finishing up the next issue of Tape Op. -LC
John Baccigaluppi's 2008 AES Surf Report This year's AES show in San Francisco was a lot of fun. The day before the show, I drove with our UK publisher Al Lawson and his...
It was at a recent trade show, after a major DAW manufacturer cancelled our meeting, that I realized I was relieved to be off the hook. I always enjoy meeting with this person, and I use and like their products. But I was relieved to not hear...
Matt McGlynn over at the informative Recording Hacks site has a section devoted to Tape Op mic reviews. Not all of them are up yet, and we're not quite sure why he wanted to tackle this project (crazy? smart? nice guy?) but it's up there. Now I can...
Dear Tape Op reader:Some folks might not know how inextricably connected Tape Op editor Larry Crane's recording studios have been to the history of Tape Op Magazine. His first home studio, Laundry Rules, was in a Portland basement at 33rd and...
2020. What a year. Since very few of who reading this will have recently relocated from a nearby galaxy I won't get into the specifics, but we all know what kind of year it was and many of us are glad it's almost gone. It certainly will not be...
I'm not actually going to review the music on this record; it's free, just go get it and listen to it yourself. Instead, I'm a bit fascinated by the mechanics of the release itself. As my wife said when I told her I had the record, "Does anybody...