Since putting a pair of these modules in the rack it is has been a struggle to choose whether or not they go on the vocal or the mix. The vocal ususally wins, but it's a tough call. It doesn't take much to give your lead or bgv's that special something. Producer/Engineer Billy Bush turned me onto these things and I am forever grateful. Also great on bass. They add either air or girth or a little of both in a way that EQ's cannot and are highly addictive.
Read Original Review Here
-GS
On May 31st, 2022 we lost synthesis pioneer Dave Smith. Tape Op contributor Alex Maiolo wrote this lovey tribute to remember him by.-GS Don Buchla, Robert Moog, Tom Oberheim, Delia Derbyshire, Peter Zinovieff, Roger Linn, Hiroaki Nishijima,...
I just read an excellent new essay called The Case Against Free in which the author suggests that the "free economy" is drying up the economic resources needed to make quality creative works. The article focuses on recordings. It's a well...
In line with Andy Hong's list of gear (issue #66) he's reviewed in the past that he still finds amazing, here's a list of stuff I was using this last month that I think deserves special credit for the amount of times I fall back on these pieces and...
By John BaccigaluppiPhotos by Cynthia Connolly If you haven't yet, check out Larry's review in this issue for some insight into the recently published book, The Inner Ear of Don Zientara. I hope you know who Don is. As Ted Nicely says in the book,...
Here's a recent email I received: "I am interested in what you do and how you do it. I guess I am not the average person looking to get into audio engineering. I am 44 and I am an anesthesiologist looking for a second career. I am an audiophile,...
I think it's for real? Is it? What is it? Why? See Barry Rudolph's report on Treeverb
It wasn’t that long ago that when you went into the studio you basically disappeared from the rest of the world into a place with few (or no) windows, and low light. Where time seemed to have a way of getting distorted, finding yourself rolling...
Every few years it seems time to give a brief explanation of how Tape Op Magazine "works." We constantly get letters from folks who are amazed that this magazine arrives to them for free. Well, it's actually very simple: you pay for...
Cedric Burnside performs "Love Her 'Til I Die" for the OneMic Series!
