I got to see ex-Grandaddy Jason Lytle play a semi-secret first band-backed show (with ex-bandmate Aaron Burtch) last Saturday. Quite fun and a great set of new songs. Jasons' album, Yours Truly, the Commuter, comes out May 19 on ANTI- records. We ended up at a crazy burlesque absinth party with the band as well, but that's a whole other story.
Tape Op is a bi-monthly magazine devoted to the art of record making.
I couldn't have said it better myself. In fact, I say this all the time. Drop by Jim Powers' Music Shrink website and read his articulate post on the subject.
by Alex Maiolo
The term “linchpin” tends to get chucked around pretty liberally when we discuss music scenes, but Ed Ackerson, who succumbed to pancreatic cancer on October 4th, was the very embodiment of it. Ed was one of those...
For their eighth (!!!) release in three years, King Gizzard and the Lizard Wizard give the world Butterfly 3000. It is hard to know what to expect from this band of Aussies. They have spanned the genre spectrum with metal, garage-psychedelia,...
Our busy friends over at the Future of Music Coalition have released a study, “Same Old Song: An Analysis of Radio Playlists in a Post FCC-Consent Decree World”. Check it out - basically the major radio stations owners - Clear Channel,...
Hello Friends,
Yes the rumours are true! We are happy to announce the release of the Tape Op iPad app! And for those folks that are not Apple product users don't despair, there is an Andriod version coming soon.
You can log in using...
Here is a list of some of the books on recording and music that we have added to the reading (or re-reading!) queue recently.
Are We Still Rolling?by Phill BrownGreat studio session stories about The Rolling Stones, Talk Talk, Hendrix, Led...
I just read an excellent new essay called The Case Against Free in which the author suggests that the "free economy" is drying up the economic resources needed to make quality creative works. The article focuses on recordings. It's a well...
Your magazine was not the first place I'd seen Count's "I Have a Credit Problem" essay [Tape Op #89], but I feel compelled to respond.
I agree with his general ideas - credits should be shown, and the current "album experience" in the digital...