Well friends, there were just too many great albums this year, and so here is the "Rest of the Best".
Andy and John both had super extensive year end favorites lists and make up the bulk of this list. I will need a good chunk of 2023 to dig in to...
I just bought the crazy app for my iPhone by Brian Eno and Peter Chilvers called Bloom.
It creates, or allows you to create, ambient type music on your iPhone or iPod touch. It's well thought out and a blast to mess with. It's nice to see people...
Tape Op will once again have a booth at the AES show in San Francisco, CA October 27-29, so please come say hi if you are at the show!
To make it easier for you to attend the show, we are once again giving away free badges to the exhibition area of...
Expect to see more changes in the music purchasing/acquiring habits of teenagers as time goes by. Courtesy of the NPD Group's press release:
"teens (age 13 to 17) acquired 19 percent less music in 2008 than they did in 2007. CD purchasing declined 26...
Dear Tape Op Reader,
We wanted to let you, the folks we make this magazine for, aware of a fundamental change in our business.
Short version: We are cutting our ad rates nearly in half.
Why?
Here's the long version: Tape Op is an...
On November 9-11, 2018, Ableton held their Loop 2018 conference in Hollywood, CA. Thom Monahan and I both went to check it out. Here’s some of what we experienced, starting with Thom. -JB
It’s hard to imagine a music software company...
Your magazine was not the first place I'd seen Count's "I Have a Credit Problem" essay [Tape Op #89], but I feel compelled to respond.
I agree with his general ideas - credits should be shown, and the current "album experience" in the digital...