A band I work with is two weeks away from their release date. They've worked tirelessly to prepare for this release, hired an excellent publicist, shot videos, toured....they've done it all right and without fatigue. That record is the most...
I just finished reading your article, "My Unwritten (Until Now) "Rules" in the studio," Tape Op #85. Let me offer up a few words of wisdom on your well-written points.
- Don't play music by other artists: In 1978 I was working with a...
With news of Neil Young pushing to get studio quality audio out to the consumer, it occurred to me that it would be good to get some perspective on how we go about comparing audio quality. One of the most problematic issues surrounding audio...
(me and Elliott rolling in Jackpot!'s original MCI JH-16, Feb. 1997)
As most readers of Tape Op may have picked up on by now, I have been involved in the archiving and cataloging of the music of my late friend, Elliott Smith. Here's an interview I...
My friend, sts is the Program Director and an instructor at The Rock ’n’ Roll Camp for Girls. They’re currently building up their recording program, Rock Camp Studio and the "Recording Engineer Track" studies and are looking for...
I'll be doing a "Quickies 6: In the Studio" panel-type thing at SXSW on Saturday, March 20th, 11:00 AM, at the Austin Convention Center, Room 16A. I think you have to sign up for this, so check their website for more info. It'd be cool to meet some...
Hard to believe that 2022 is already coming to a close. As was true in 2021, it was obvious that as the world was on lock down, artists were busy using their time to be creative and the result was an incredible amount of fantastic releases across...
OK, fine, I admit it -- I secretly envy hip hop's most ostentatious bling nuggets (T-Pain's new joint makes me particularly weak-kneed), but let's face it, none of that stuff has any place adorning a guy like me, even if the recession means I now...