Yup, we're finally back on track with clothing here at the US branch of Tape Op. Check it all out, plus back issues, at Good Mountain, our new supplier of direct mail order goodies for Tape Op.
Tape Op is a bi-monthly magazine devoted to the art of record making.
You know, when an email with a title like this shows up at Tape Op we just gotta laugh. And an email just did show up, and I hope I don't alienate a potential advertiser or supporter, but hey, please think of another way to promote your...
Our busy friends over at the Future of Music Coalition have released a study, “Same Old Song: An Analysis of Radio Playlists in a Post FCC-Consent Decree World”. Check it out - basically the major radio stations owners - Clear Channel,...
Stopify.net is a newly published community base and informational resource for why Spotify is damaging to artists and to the music industry as a whole. Check out a centralized list of articles about the topic, and add your two cents to the growing...
Your magazine was not the first place I'd seen Count's "I Have a Credit Problem" essay [Tape Op #89], but I feel compelled to respond.
I agree with his general ideas - credits should be shown, and the current "album experience" in the digital...
James Goss has interviewed many independent record store owners across the country to see how they stay in business and what they sell. Every month a new store will be profiled with interviews and photos. Pretty fun. Here's the link: Vinyl Lives
Since putting a pair of these modules in the rack it is has been a struggle to choose whether or not they go on the vocal or the mix. The vocal ususally wins, but it's a tough call. It doesn't take much to give your lead or bgv's that special...
My pal Ethan Winer is half of the company Real Traps and hosts a page of all sorts of articles and information about acoustics and control rooms at this site: Real Traps
One of my favorite pieces nearly ended up in Tape Op Magazine but after I...