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Get Your Free Pass to AES in NYC on Tape Op!
http://www.aesshow.com/aes17top
Over the last few years we've seen an explosion of online music services. Pandora, iTunes, Spotify, Rhapsody, Soundcloud and dozens of other platforms are touted as groundbreaking ways to deliver music to listeners. But this success is on the...
Dear Tape Op Readers, We are feeling overwhelmed and deeply saddened by the death of George Floyd. Unfortunately this is far from an isolated incident. Our voices and collective action have never been more needed than right now. Human...
As we exit the era of digital audio data compression and begin the ascent into higher sample rates for consumer consumption (via multiple platforms, though most popularly Neil Young's PONO system), we are finding ourselves as a community of...
Creating Community - A Regional Audio Industry Gathering On Saturday March 5, Recording Arts & Technology (RAT) @ Cuyahoga Community College will host a Regional Audio Recording Industry Gathering and Open House from 4-10pm at the...
Brittany Howard and Shawn Everett discuss Nate Smith tracking "Goat Head". Read the full interview HERE
This issue’s cover is an homage to the Pink Floyd song “Echoes,” from the album Meddle. The idea came to me after I saw Brian T. Silak’s photo of Jack Antonoff’s vintage tape delays, as the Binson Echorec...
Reader Brent E (bcengels at yahoo dot com) sent in some cool links about audio. The possibility of and “acoustic cloak” is discussed. The future of studio soundproofing? Music and Auditory illusions are discussed in the New Scientist
Yup, we're finally back on track with clothing here at the US branch of Tape Op. Check it all out, plus back issues, at Good Mountain, our new supplier of direct mail order goodies for Tape Op.
Dear Tape Op Reader, We wanted to let you, the folks we make this magazine for, aware of a fundamental change in our business. Short version: We are cutting our ad rates nearly in half. Why? Here's the long version: Tape Op is an...