There has been a heightened interest lately in using stompboxes and pedals as part of the mixing process. There are a few ways to interface your pedals with your system, but here is a quick video on how I do it using the Meris 440 500 series mic-pre....
Dear Tape Op Readers,
We are feeling overwhelmed and deeply saddened by the death of George Floyd. Unfortunately this is far from an isolated incident.
Our voices and collective action have never been more needed than right now.
Human...
If you want to stay in business you need to record all kinds of bands, including those you don't care for. (This is actually a shock to some people. It is. They don't last long, and their refusal to work with anyone except bands they hand-pick is...
Matt McGlynn over at the informative Recording Hacks site has a section devoted to Tape Op mic reviews. Not all of them are up yet, and we're not quite sure why he wanted to tackle this project (crazy? smart? nice guy?) but it's up there. Now I can...
During one of the many calls I have on a regular basis with my musician and audio professional friends, it dawned on me what a priveldge these conversations are and thought it might be a good idea to share them with a larger audience as a way to take...
Years ago John Fischbach, a well-established and respected producer/engineer, came to my studio to record an album that our mutual friend, Luther Russell, was producing. [See Tape Op #21.] In those days my studio, Jackpot! Recording, was a diamond...
Tape Op Magazine’s founder and editor, Larry Crane, has been mixing songs and albums for people from all over the United States and the world for over 20 years. Many of these sessions are unattended, and here’s a glimpse into his...
I finally figured out what makes for a successful tracking session: simply eliminate the variables. On one level this could be seen as pre-production combined with concise decision making. Certainly those can help - but what I'm talking about is...