Matt McGlynn over at the informative Recording Hacks site has a section devoted to Tape Op mic reviews. Not all of them are up yet, and we're not quite sure why he wanted to tackle this project (crazy? smart? nice guy?) but it's up there. Now I can read some of my old reviews and cringe.
Tape Op is a bi-monthly magazine devoted to the art of record making.
Tape Op is sponsoring an event at The Hangar, aka Tape Op Publishing HQ.
When: Saturday, September 6, 10am-6pm.
Where: The Hangar Studios, Sacramento, CA
What: The first Audio Underground Roadshow
What’s that and who will be there: Demos of...
A band I work with is two weeks away from their release date. They've worked tirelessly to prepare for this release, hired an excellent publicist, shot videos, toured....they've done it all right and without fatigue. That record is the most...
My friend, sts is the Program Director and an instructor at The Rock ’n’ Roll Camp for Girls. They’re currently building up their recording program, Rock Camp Studio and the "Recording Engineer Track" studies and are looking for...
Here is a list of some of the books on recording and music that we have added to the reading (or re-reading!) queue recently.
Are We Still Rolling?by Phill BrownGreat studio session stories about The Rolling Stones, Talk Talk, Hendrix, Led...
Your magazine was not the first place I'd seen Count's "I Have a Credit Problem" essay [Tape Op #89], but I feel compelled to respond.
I agree with his general ideas - credits should be shown, and the current "album experience" in the digital...
I'm about to write something that at first will seem like another gray-beard waxing nostalgic for a by-gone analog era. But, stick with me, because I think the tables are turning to where going analog might be as forward-thinking as it gets.
Let's...
http://articles.chicagotribune.com/2008-07-09/features/0807080422_1_rolling-stone-new-yorker-classical-music-magazine It's an eclectic collection and somehow we made the cut. We're guessing it was an inside job... Thanks Chicago!
I'm in the middle of cataloging 1.5 TB of audio files. This is the work I do for the Estate of Elliott Smith. Two computers keep Pro Tools on the top one and FileMaker Pro and Excel for track sheets on the bottom one. Otherwise the MacBook Pro...