Woodland is the name of Gillian Welch and David Rawling’s studio in Nashville, and it’s also the name of their new album. On Woodland, the duo continue to show their deep connection as collaborators. The album has a wide open sound that features their seemlessly blended and intimately recorded vocals, and the light touch of a backing band that includes drums, bass, pedal steel, banjo, and airy strings on tunes like "What We Had" and "Hashtag". "Lawman" and "The Bells and the Birds" have a lovely somberness, and the album as a whole has a "live off the floor" feeling to it that we hear less and less of these days. Woodland will stay in our "recently played" column for the forseeable future.
We interviewed Gillian and Dave back in 2001 for Tape Op #85.
Tape Op is a bi-monthly magazine devoted to the art of record making.
Studio Engineering and Recording – School of Music, Dance and TheatreHerberger Institute for Design and the Arts at Arizona State University
The School of Music, Dance and Theatre at Arizona State University seeks an exceptional...
OK, fine, I admit it -- I secretly envy hip hop's most ostentatious bling nuggets (T-Pain's new joint makes me particularly weak-kneed), but let's face it, none of that stuff has any place adorning a guy like me, even if the recession means I now...
Via the Village Voice and meta-via Brooklyn Vegan comes the tragic news that the NYC recording studio operated by Daptone Records was burgled last night, with a remarkable amount of main brain Gabe Roth's vintage gear lost. Even...
by John Baccigaluppi
It may not be obvious, but as this magazine’s graphic designer, the recently passed Vaughan Oliver was a major influence on the look of Tape Op Magazine. Being someone who’s not involved with social media, and as...
head-fi: n, audiophile-grade headphone systems.portable: adj, able to be easily carried.
The record industry is about twenty-five years into a massive devaluation of its products. This devaluation is not due to some invisible calculus the way, say,...
by Larry Crane
In 1996 my life changed. A few years earlier, I had been in a busy band (Vomit Launch, a precursor to what became indie rock) putting out albums and touring for almost eight years. In late 1992 we called it quits. I’d moved...
Speaking of the art world, reader Halsey Burgund sent a link to his installation that “involves some unconventional recording techniques, mainly doing it wirelessly and using lots of open-source and customized software.” Looks like fun...
Check out Ross Healy's VICMODBLOG on analog modular synths. He interviews "people who build and sell modular gear and forgotten electronic musicians." Cool stuff.
In editor Larry Crane's recent End Rant [Tape Op #127], he talked about how people are currently learning recording techniques, all of the misinformation on the internet, and how this leads to the homogenization of music making in general. All of the...