As a music recording magazine, certainly one of the aspects of what we do involves recommending and mentioning the tools used in our craft. The variety of recording equipment and range of cost has...
To the average person, the recording studio can be one of the more confusing creative spaces to imagine, due to the daunting technological aspect of our trade. Most people can conjure up a mental...
In one week, I'll be helming my first attended studio session in over three months. It's with one of my favorite long-time clients, and we're knocking out basic tracks for a single song; a short,...
None of us exist in a vacuum. Building tracks, mixing, editing, and mastering can sometimes feel like a solitary existence, but it shouldn't always be so. As I write this, in April of 2020, the...
Dub. Even the word is a technical term from the studio, making a copy of a recording to another media. But what do we mean when we talk about dub music? Musique concrète, later works by The...
I recently had the experience of listening to hundreds of new albums in a slightly disassociated context; many times I knew nothing about who the artists were or what style of music they were...
Larry is Tape Op's editor and founder; and his duties also include overseeing all the editorial for this magazine. But although I'm known as the "publisher," we always confer about what interviews we...
Is there a simple answer to this? Does a quick proclamation that explains everything one needs to know about music recording in a nutshell exist? I keep deluding myself, thinking that I can somehow...
"How do we stay interested in the art of recording?" It's a question I was considering recently, and I feel fortunate that I remain excited about mixing songs, producing records, running a studio,...
Since founding this magazine 23 years ago, it's been interesting to me the many ways Tape Op reflects my own journey through music and audio, but also the many facets in which it doesn't. Sure, I own...
Photo: Chambers, courtesy of Alvin Lucier. See his interview here. I'm John Baccigaluppi, the other guy at Tape Op and this issue I'm writing the intro that Larry, our editor, usually writes....
When I first started getting obsessed with recorded music as a teenager, I saw the recorded music I enjoyed in a magical light. A tune on the radio was a beacon from beyond, like some special jewel...
A songwriter recently asked me to advise him on what type of recording equipment he should buy. He was looking for "a decent interface and a program… that won't make my demos sound like shit,...
