Gear Reviews

Issue #85

NO. 85

Universal Audio: Lexicon 224 Digital Reverb plug-in

REVIEWED BY Neil Mclellan

I first became acquainted with the Lexicon 224X digital reverb in Studio One at the Strongroom around about 1989. It was the first time we had made that level of investment, and back then, Strongroom was a small, independent company, which meant that such a purchase was a big decision; I remember...

NO. 85 Gear Review

Universal Audio: Studer A800 tape recorder plug-in

REVIEWED BY Matt Boudreau
September 15, 2011

The Studer A800 Multichannel Tape Recorder plug-in from Universal Audio is one of the latest in a series of classic hardware emulations made for the UAD-2 series DSP Accelerators (Tape Op #57, #73, #76, #83). Having long been a convert to the UAD DSP platform, I had to check this out but had only...

NO. 85 Gear Review

Massey Plugins: DRT Drum Replacement Tool

REVIEWED BY Mike Jasper
September 15, 2011

Former Trillium Labs software engineer Steven Massey (Tape Op #68) - who worked on both TL Aggro and TL Space - now makes Pro Tools plug-ins for the rest of us. No dongles, affordably priced, no time-limit on the demos, and each plug-in is always of the highest quality, Massey has given us...

NO. 85 Gear Review

Shure: SRH940 headphones

REVIEWED BY Andy Hong
September 15, 2011

When I initially donned these headphones, I was reminded of when I heard ADAM Audio S3-A active monitors (Tape Op #33) for the first time at the now defunct Bomb Factory Studios in Burbank. I was blown away by the immediate sense of space and detail that I was hearing. I've purchased several...

NO. 85 Gear Review

Splicit: Pro Audio Splicing Tape

REVIEWED BY Garrett Haines
September 15, 2011

I’ve been using that same crap splicing tape that most everyone uses. You know, that thin white stuff that holds better to skin than tape. I found a much better solution sold by Splicit. It’s made of strong acrylic polyester. The pressure-sensitive coating grabs just enough when you’re getting set...

NO. 85 Gear Review

Cloud Microphones: Cloudlifter CL-1 Mic Activator

REVIEWED BY Mike Jasper
September 15, 2011

Cloud Microphones has intrigued me since I first heard about its JRS-34 and JRS-34-P ribbon mics (Tape Op #78), which utilize the same ribbons as those in the classic RCA 44-series mics. When asked about reviewing the Cloudlifter CL-1 Mic Activator, I was unaware of what it was but became very...

NO. 85 Gear Review

Ingram Engineering: MPA685 mic preamp

REVIEWED BY Kirt Shearer
September 15, 2011

I had seen the ads for a while in Tape Op. There were these preamps I had never heard of by a company I had never heard of — Ingram Engineering. They looked cool and somewhat retro. I had always thought that I’d like to try these out, so I jumped at the chance when offered the Ingram...

NO. 85 Gear Review

JLM Audio: Dual99v500 mic preamp & FC500 FET compressor

REVIEWED BY Garrett Haines
September 15, 2011

Back when I reviewed the Eisen Audio DIY500 mic preamp kit (Tape Op #80), I bragged about the beefy monsters we brewed. But shortly after publication, the manufacturer discontinued the kits, leaving some readers without a way to obtain similar preamps. To be fair, the input transformer and op-amp...

NO. 85 Gear Review

Sound Skulptor: Stereo Tape Simulator

REVIEWED BY Garrett Haines
September 15, 2011

Sound Skulptor is a division of the Synchronia Company, which also runs a studio in southwest France. They offer a line of DIY audio kits. We jumped at the chance to review the Stereo Tape Simulator (STS). Encased in a desktop box, the STS includes the electronics of a classical tape recorder along...

NO. 85 Gear Review

Avenson Audio: IsoDI Direct Box

REVIEWED BY Staff Writer
September 15, 2011

DI boxes are just not that sexy.

However, the more sessions I record, the more I grow to really appreciate the simple pieces of gear that I can consistently rely upon. After repeated use, the Avenson IsoDI boxes now hit the tracking room floor at the same time the mic stands and cables come out. Too...

NO. 85 Gear Review

Sonnox: Fraunhofer Pro-Codec plug-in

REVIEWED BY Garrett Haines
September 15, 2011

We had two writers test-drive the new plug-in from Sonnox that allows you to encode, decode — and audition in real-time — data-compressed audio using Fraunhofer codecs. Let’s start with multi–Grammy winner Joe Chiccarelli (Tape Op #14), whose first Tape Op review appeared in 2003 (#35). Following...

NO. 85 Gear Review

SE Electronics: RNR1 active ribbon mic

REVIEWED BY Adam Kagan
September 15, 2011

SE Electronics has been busy building a loyal fan-base for their wide range of microphones, and they recently teamed up with Rupert Neve to design some new microphones for SE's lineup. The SE RNR1 active ribbon mic emerged as the first effort, where Mr. Neve brought his knowledge of...

NO. 85 Gear Review

Spectra Sonics: 611-B Complimiter

REVIEWED BY Pete Weiss
September 15, 2011

These days, fans of the much-loved (and much-misunderstood) Spectra Sonics 610 compressor/limiter (dubbed “Complimiter” by the company) have much to be happy about. In addition to the original model being readily available again (it was introduced in 1969, eventually becoming somewhat obscure, and...

NO. 85 Gear Review

RealTraps: MondoTraps, MiniTraps, Diffusor, and RFZ

REVIEWED BY Allen Farmelo
September 15, 2011

Assuming that one of the goals in treating a mix room is to achieve flat frequency response at the mix position, one must simultaneously grapple with room dimensions; resonant and reflective surfaces; speaker placement and stands; subwoofer placement and settings; crossover frequencies; active and...