{"items":[{"id":"c76bc8ce-4a95-4acf-a13e-c3fa07aac60b","title":"DIY Shockmount","subtitle":"Build Your Own Microphone Shock Mount","issueNumber":33,"publicationDate":"2003-01-15T08:00:00.000Z","imageUrl":"https://images.tapeop.com/d6f2c0a6-efec-40be-8b9f-2170126aae21?w=1200&f=webp&q=82&fit=inside","excerpt":"<p>Here&apos;s a ridiculously cheap and simple way to make a pretty nice microphone shock mount. Cost is under 10 bucks (way under if you build more than one) and it shouldn&apos;t take too much more than a half hour to put one together.</p>","byline":"Tom Rogers","url":"/tutorials/33/diy-shockmount","contributors":[{"id":"ec217c0f-83ec-4205-9232-3f87b52a414e","name":"Tom Rogers","role":"author"}]},{"id":"eb2a1e42-7e8a-4a37-a4ab-ec268fa2b241","title":"Recording Drums","subtitle":"A Primer on Recording Drums at Home","issueNumber":31,"publicationDate":"2002-09-15T07:00:00.000Z","imageUrl":"https://images.tapeop.com/2aa1bf0d-d320-4e3f-b665-6e894d3afcfb?w=1200&f=webp&q=82&fit=inside","excerpt":"<p>Like many other Tape Op readers, I have a home studio. Although I&apos;ve had numerous opportunities to record in &quot;real&quot; recording studios, I often prefer the laid-back comfort of my own living room. My home setup has neither the carefully constructed walls nor the special...</p>","byline":"Andy Hong","url":"/tutorials/31/recording-drums","contributors":[{"id":"ab72ad2f-0502-4858-8860-a94316ce4433","name":"Andy Hong","role":"author"}]},{"id":"d72c5a5d-6bba-4df6-88da-a00bb53f6067","title":"Fun Stereo Mic Techniques","subtitle":"Fun Stereo Mic Techniques","issueNumber":31,"publicationDate":"2002-09-15T07:00:00.000Z","imageUrl":"https://images.tapeop.com/228abe56-1bbe-48d5-b809-d0690717bfc3?w=1200&f=webp&q=82&fit=inside","excerpt":"<p>No description available.</p>","byline":"Martin Chittum","url":"/tutorials/31/fun-stereo-mic-techniques","contributors":[{"id":"4d4bbd68-0037-4a36-abb4-afe8139a6af5","name":"Martin Chittum","role":"author"}]},{"id":"bea85aca-baa5-456b-9288-ed32d484394f","title":"Poor Man's Mellotron","subtitle":null,"issueNumber":31,"publicationDate":"2002-09-15T07:00:00.000Z","imageUrl":"https://images.tapeop.com/035698ac-7d25-4c95-b0ed-1d80cec63c18?w=1200&f=webp&q=82&fit=inside","excerpt":"<p>No description available.</p>","byline":"Bruce Harvie","url":"/tutorials/31/poor-mans-mellotron","contributors":[{"id":"8ee9915b-0779-4f44-b7ce-9b92050c7094","name":"Bruce Harvie","role":"author"}]},{"id":"15f91151-50a7-4e10-a7e4-9e99fc45c7e4","title":"Studio Interns","subtitle":"So You Wanna Be an Intern?","issueNumber":31,"publicationDate":"2002-09-14T07:00:00.000Z","imageUrl":"https://images.tapeop.com/9d666e9b-64ec-44c3-9edd-351fae2be2ea?w=1200&f=webp&q=82&fit=inside","excerpt":"<p>As a studio owner, I get several calls and emails per week from people looking to break into the &quot;glamorous&quot; world of recording through interning. These people wish to gain experience in the studio, learn session routines, see records being made — and hopefully...</p>","byline":"Larry Crane","url":"/tutorials/31/studio-interns","contributors":[{"id":"b8ecd2ed-95dd-4258-aba3-6ecf753995ae","name":"Larry Crane","role":"author"}]},{"id":"dec8065b-3b6a-4613-a08c-40b28832e75f","title":"LA4 Mods","subtitle":"Hot Rodding the LA-4 Limiter","issueNumber":29,"publicationDate":"2002-05-15T07:00:00.000Z","imageUrl":"https://images.tapeop.com/616e63fc-d44d-430a-a83a-38bce2e4869e?w=1200&f=webp&q=82&fit=inside","excerpt":"<p>I have always loved optical limiters, especially the classic Teletronix&apos;s vacuum tube LA-2A and its &quot;solid- state&quot; sibling, the Universal Audio LA-3A. Both were minimalist in terms of user interface as well as the relatively non-destructive way they processed sound. With...</p>","byline":"Eddie Ciletti","url":"/tutorials/29/la4-mods","contributors":[{"id":"f9ec674b-d5f9-494f-b296-202aeca5cf33","name":"Eddie Ciletti","role":"author"}]},{"id":"7a83fc07-e8e7-4701-a983-0c68be582a6f","title":"Talkback Mic","subtitle":"The Fantastic Automatic Talkback Mic","issueNumber":29,"publicationDate":"2002-05-15T07:00:00.000Z","imageUrl":"https://images.tapeop.com/a8283f7f-3713-4faa-828b-356e79b11216?w=1200&f=webp&q=82&fit=inside","excerpt":"<p>The talkback mic is the usual way to communicate, one-way to your musicians out in the studio. But if you are recording all in one room a closely-mic&apos;ed loud rock band, how do you hear them making comments back to you or how can they talk to each other without taking their phones...</p>","byline":"Barry  Rudolph","url":"/tutorials/29/talkback-mic","contributors":[{"id":"73a0c1e3-015b-416f-b417-ee794bf369be","name":"Barry  Rudolph","role":"author"}]},{"id":"3c321600-df28-45e7-8276-9daa46b9a7be","title":"Build a Plate Reverb","subtitle":"Building Your Own Plate Reverb!","issueNumber":28,"publicationDate":"2002-03-15T12:00:00.000Z","imageUrl":"https://images.tapeop.com/3eef00f4-7b1c-446e-a09b-f8ed18a39a54?w=1200&f=webp&q=82&fit=inside","excerpt":"<p>(Disclaimer: This article is missing images and parts list. The writers originally offered up a kit of parts and stopped doing so many years ago. This is an incomplete article and please do not email the magazine for more information.) Plate Reverb. Many people ask me about this and I...</p>","byline":"Bob  Buontempo","url":"/tutorials/28/build-plate-reverb","contributors":[{"id":"c9b1fd15-c574-4d98-907f-0ff4463caeab","name":"Bob  Buontempo","role":"author"}]},{"id":"60c4dc86-c498-4e65-80ee-556acf69aa94","title":"One Tube Microphone from Berlin and One from Barstow","subtitle":"A Do-It-Yourself Tube Mic & De-mystifying the Neumann U-47","issueNumber":25,"publicationDate":"2001-09-15T13:00:00.000Z","imageUrl":"https://images.tapeop.com/2712844a-c979-47ec-a595-28279348ea38?w=1200&f=webp&q=82&fit=inside","excerpt":"<p>The Neumann U-47 microphone is a much sought-after and expensive tube microphone, which does its job very well. However, the prospect of spending thousands of dollars for a microphone is out of the question for many people. When the Marshall MXL 2001 condenser microphone appeared on the...</p>","byline":"David Royer","url":"/tutorials/25/dave-royer","contributors":[{"id":"50e6e876-de11-48fd-ac5d-221ea255ead4","name":"David Royer","role":"author"}]},{"id":"1ab1649e-ff40-40ed-9963-4c70db2d766a","title":"Make Your Own Pop Filter","subtitle":null,"issueNumber":22,"publicationDate":"2001-03-15T20:00:00.000Z","imageUrl":"https://images.tapeop.com/32a2e25f-f9b1-4893-a5a7-749e0833003f?w=1200&f=webp&q=82&fit=inside","excerpt":"<p>No description available.</p>","byline":"Craig Gurwich","url":"/tutorials/22/make-your-own-pop-filter","contributors":[{"id":"641b46e4-87f7-4dd9-ae6b-7014e447b9ba","name":"Craig Gurwich","role":"author"},{"id":"fc559aff-5021-4119-ad87-3b310993312e","name":"Jeff Saltzman","role":"author"}]},{"id":"86e55c4f-f7e3-461a-a8a8-2c14a7acbb2e","title":"Recording Recipes #11","subtitle":"Megaphones","issueNumber":19,"publicationDate":"1999-09-15T17:52:00.000Z","imageUrl":"https://images.tapeop.com/8dac42e3-246d-437b-9da8-16f2ed850672?w=1200&f=webp&q=82&fit=inside","excerpt":"<p>No description available.</p>","byline":"Curtis Settino","url":"/tutorials/19/recording-recipes-11","contributors":[{"id":"beedc6eb-a2db-48a9-92a2-0d99d7baa7c0","name":"Curtis Settino","role":"author"}]},{"id":"22b212c2-5812-4a41-af58-b58e5eb25510","title":"Mixing Tips & Tricks","subtitle":null,"issueNumber":19,"publicationDate":"1999-09-15T17:49:00.000Z","imageUrl":"https://images.tapeop.com/9e3e4b91-e179-446f-ae72-6b66dd176cd2?w=1200&f=webp&q=82&fit=inside","excerpt":"<p>When I first sat down to write this piece I was a bit apprehensive. Over the years there have been countless magazine articles on mixing techniques and tips. I kept thinking, &quot;Man, every Tape Op reader probably already knows this stuff. I&apos;m going to get hammered with...</p>","byline":"Pete Weiss","url":"/tutorials/19/mixing-tips-tricks","contributors":[{"id":"0d920016-79f2-42ac-ab62-f51bce99d39d","name":"Pete Weiss","role":"author"}]}],"total":70,"page":3,"limit":12,"hasMore":true}