Connor Reviere, Gebre Waddell, and Patrick Moss are Soundways. Their recent plug-ins, the Core Production Bundle, are a new way to help engineers listen, as well as hear details, in recordings and...
A major star in her native land, via her successful acting and music careers, Argentina’s Juana Molina should be a household name in the rest of the world. In 2000 a friend passed along a copy...
This year, 2017, marks the 50th anniversary of the recording of The Zombies’ Odessey and Oracle, a record virtually ignored when it was released, yet now considered a classic of the late...
As a young man, Glenn Berger got the break of a lifetime working under Phil Ramone [Tape Op #50] as an engineer at A&R Recording in New York in the early ‘70s. After 20 years of studio work...
Adrian Younge and Ali Shaheed Muhammad are established artists and producers in their own right, and each have contributed to an enviable stack of recording projects including A Tribe Called Quest, J...
Irene Trudel might just be one of the most private people in public radio. A self-professed introvert, Irene has worked in public and commercial radio for over 30 years, and is now a head engineer for...
Not only is Gebre Waddell the CEO of Soundways [Tape Op #118], he runs Stonebridge Mastering in his hometown of Memphis, created the Refinement plug-in, and is the author of the book, Complete Audio...
I have been a big fan of spring and plate reverbs for decades, and over the past three years I have spent a significant amount of time diving into the wormhole of designing and building them,...
I read Thomas Dolby’s recent autobiography, The Speed of Sound: Breaking the Barriers Between Music and Technology: A Memoir, and wanted to learn more about his recording life and thoughts. See...
In the past I’ve written many End Rants about how I expect recordists to treat their clients. But I’ve also stumbled across many online forums where I’ve see recording engineers and...
Until recently, I’d been relying on my headphone system to talk to the band in the live room, or sometimes a PA speaker I’d place on the floor, instead of a permanent set of talkback...
"Smooth like whiskey" — that's how Vanguard Audio Lab's main man, Derek Bargaehr, describes the sound of the V13 large-diaphragm condenser mic. Vanguard, a small company based in Upland,...
The Novation Launchpad series of USB pad controllers [Tape Op #82 online] has gone through a number of iterations since the first Launchpad came out back in 2009, and here we are with the latest, and...
For jaded music listeners, the Audeze line of headphones may be the cure for reconnecting with music and audio. Audeze is not a new name to audiophiles. The company has been making high-quality...
So, what we have here is a big (3RU-height), heavy (26 lb) black box filled with tubes and transformers, from a company called Black Box Analog Design. That's a lot to like already, and I haven't...
You may already know the story behind the legendary ADR Compex dynamics processor, which for many of us, is noted mostly for the drum sound on Led Zeppelin's "When the Levee Breaks." Q2 Audio, the...
The online audio community always cheers when Universal Audio announces a software update with new plug-in emulations. This happened again when the company announced UAD version 9 with the...
I would recommend the Lindell Audio 510 Power MkII ten-slot chassis and power supply to anyone looking for a rackmount 500-series frame. It has several features that make it very functional and...
This is one of the best guides to making the best recordings out there, but in fact, it's not really about recording. Jesse Cannon, who has contributed to Tape Op in the past, has himself been the...
When a piece of equipment comes along that challenges the norms of the day, I always take notice. "Normal" is an ever-shifting sandbar in the harbor of consensus, and it never holds still for long in...
Expanding on the popular single-fader FaderPort [Tape Op #59], PreSonus is now offering the FaderPort 8, which features eight 100 mm touch-sensitive motorized faders and 57 buttons. For...
My original plan was to write a typical Andy Hong review of the new Shure KSM8 mic, with measurements and thoughts from empirical testing accompanying my commentary of actual in-studio use. But soon...
The Element broadband absorber panels are a new product from Primacoustic. I have a Primacoustic Stratus ceiling cloud [Tape Op #114] installed in my mix space, and I have been happy with its...
At Panoramic House, we have various EQ modules installed in the 500-series slots of our API 1608 console [Tape Op #81]. Until recently, none of them had sweepable frequencies. I love the sound of the...
I've been looking for 500-series parametric EQ modules for our API 1608 console [Tape Op #81] for a while now. I love the sound of our API 550 EQs, but sometimes, I want to hit frequencies in between...
