As the head of Playing For Change, Mark Johnson travels the world with a small crew, a high-end mobile recording rig, and video cameras, to capture buskers and other undiscovered musicians — perhaps a drummer deep in the Congo, a guitarist on a New Orleans street corner, or a choir in South America. But this isn't just an anthropological expedition — after a little coaching, Johnson has them all play the same song, along with the same metronome and/or backing track, stacking overdubs to create a "virtual collaboration" between musicians who otherwise would likely have never met. The resulting videos and albums have turned his project into a viral sensation. The humanitarian spirit of peace and unity at the root of all this makes the goals lofty and the logistics difficult; yet, somehow, Johnson cuts no corners, even in the wildest destinations.
Interviews | No. 9
Zero Return For Man or Astroman?: Jim Marrer of Zero Return Studio and Brian Teasley of Man or Astroman?
by Henry Owings
Brian Teasley, better known to most of the civilized world as either Man or Astroman?'s "Birdstuff" or Servotron's "Z4OBX", has bandied the idea back and forth with me of doing an interview with...