This may be the most indispensable tool in my studio. I hear people say that converters don't matter and that most cannot hear the difference. Bullsh*t!
If you cannot accurately hear what you are doing you are making uninformed choices. They call...
It's that time of year again where we go back through our digital listening histories or simply look over at the turntable to get a handle on just what we were enjoying this past year. There were a ton of great releases this year, many of them...
Subconscious Auditory Effects (SAE) is a term I have cobbled together to encapsulate a broad range of phenomena in this barely-studied field of inquiry. An SAE is any measurable effect on a person caused by a sound, or change in sound, that is...
With 3 number one albums in 2012, Grammy winning mix engineer Ruadhri Cushnan is at the top of this game. Shortly after Mumford and Sons' album "Babel" was awarded 'Album of the Year' at the Grammys, Ruahdri made time in his busy schedule to chat...
I don't want to explore this concept with as many words as I might for a Tape Op "End Rant", but I had to dump this shit out of my mind immediately. Someone dropped me a line recently; "I'd like you to hear this record I worked on. We didn't use EQ,...
Gear is not the answer to all your problems, but you are going to need it to record! When you buy it from one of our advertiser retailers via the Tape Op website or our social media channels, Tape Op receives a small commission, which, like our...
Every few years it seems time to give a brief explanation of how Tape Op Magazine "works." We constantly get letters from folks who are amazed that this magazine arrives to them for free. Well, it's actually very simple: you pay for...
A few months back while on a call with Tape Op publisher John Baccigaluppi, he mentioned that he was working on an album project where the majority of the sounds were generated by his cat Raspy. That is not to say that Raspy actually sat down...