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Tape Op is a bi-monthly magazine devoted to the art of record making.
By John BaccigaluppiPhotos by Cynthia Connolly
If you haven't yet, check out Larry's review in this issue for some insight into the recently published book, The Inner Ear of Don Zientara. I hope you know who Don is. As Ted Nicely says in the book,...
A pal who deals in pro audio recording gear (some good shit) sent an email our way complaining about people recording with cheap gear at home and the inevitable loss that this presents to the pro audio industry. My response:
XXX,
Look on the Tape...
When I graduated from college, I dove headlong into restaurant work in order to survive. I had a degree in Visual Communications and a minor in Art from an un- prestigious college, but near the end of my studies I'd begun playing bass in a band...
Reader Brent E (bcengels at yahoo dot com) sent in some cool links about audio.
The possibility of and “acoustic cloak” is discussed. The future of studio soundproofing?
Music and Auditory illusions are discussed in the New Scientist
I ran the end rant about "Lies" I hear in the studio from musicians. I asked for "Lies" that engineers tell people, but only got these two. But they're pretty good! Please take with a sense of humor, according to Arthur, but there may be some truths...
So you just drop a microphone to the bottom of an 800ft hole in the earth? Damian Wagner (issue 64) checks in with Tape Op.
"I've just returned from a two week audio expedition to Brazil. I was in Brazil to test nine microphones, cables, speakers...
By Justin Douglas
When you hear a particularly moving piece of music, and you get that little chill that runs from the top of your scalp down your spine, that’s a specific network in your brain logging that music into your memory....