I'm in the middle of cataloging 1.5 TB of audio files. This is the work I do for the Estate of Elliott Smith. Two computers keep Pro Tools on the top one and FileMaker Pro and Excel for track sheets on the bottom one. Otherwise the MacBook Pro...
Here's a recent email I received:
"I am interested in what you do and how you do it. I guess I am not the average person looking to get into audio engineering. I am 44 and I am an anesthesiologist looking for a second career. I am an audiophile,...
Below is a Guest Post from Jim Janik:
Album Credits Are Just As Important As the Money We Make (maybe more so)
by: Jim Janik
Have you ever googled yourself? I have. In fact, I have to. Like many freelancers in the music industry, it's just one of...
So here it is. The fateful letter that relentless talent scout and A&R honcho John Baccigaluppi sent to my band Vomit Launch back in 1988. Little did we know that soon we'd be holed up in his studio making records, and less than a decade later...
A pal who deals in pro audio recording gear (some good shit) sent an email our way complaining about people recording with cheap gear at home and the inevitable loss that this presents to the pro audio industry. My response:
XXX,
Look on the Tape...
I just got an email from a company telling me that I need to buy the new version of a product of theirs - I already own the one that came out several years ago. I guess the $3000 I invested in their hardware wasn't enough, and now I need to buy a new...
Many of us appreciate the need for acoustic treatments, but few really understand some of the reasons behind it all. The problem is acoustics is a discipline of physics, and physics is often enshrouded in math, complex calculations, and...
We interviewed Loma in Tape Op issue #148 and spoke with members Dan Duszynski, Emily Cross, and Jonathan Meiburg about their recording process. Emily also did the cover art for that issue, and Jonathan is also a member of Shearwater and a Tape...