I don't want to explore this concept with as many words as I might for a Tape Op "End Rant", but I had to dump this shit out of my mind immediately. Someone dropped me a line recently; "I'd like you to hear this record I worked on. We didn't use EQ,...
The Smart Studios Story
Wendy Schneider, director
At this point, Butch Vig [Tape Op #11] and Smart Studios are the stuff of legend. From the album that destroyed music’s status quo (Nirvana’s Nevermind), to Smashing Pumpkin's Gish...
Our compatriots over at Australia's fine Audio Technology magazine posted this video of a visit to Behringer City. See Video Here.
It's a curious visit and Chris Holder offers some good insight into this man and his company. Thanks to Steven...
John Caroll Kirby - Septet
It is a great time for music and recording. The pandemic drove many artists into their bedrooms and living spaces to make recordings and others figured out ways to get into studios safely. I get a load of new...
Years ago John Fischbach, a well-established and respected producer/engineer, came to my studio to record an album that our mutual friend, Luther Russell, was producing. [See Tape Op #21.] In those days my studio, Jackpot! Recording, was a diamond...
My pal just sent me this awesome piece written by a screenwriter about people asking him to read their scripts. And yes, I think anyone who works in whatever given field can understand this. Damned if you do, and an asshole if you don't. And of...
Tape Op Magazines and the Tape Op Book Vol. II are featured in the reading materials section of the "Sonic Youth, etc: Sensation Fix" traveling art exhibition. Thanks, Sonic Youth!
"The exhibition Sonic Youth, etc: Sensation Fix focuses on the...
Below is a Guest Post from Jim Janik:
Album Credits Are Just As Important As the Money We Make (maybe more so)
by: Jim Janik
Have you ever googled yourself? I have. In fact, I have to. Like many freelancers in the music industry, it's just one of...