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Get Your Free Pass to AES in NYC on Tape Op!
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I received several CDs recently, notably the Monsters of Folk (Jim James, M. Ward, Conor Oberst and Mike Mogis) and Porcupine Tree's The Incident, that I really wanted to listen to but was unable to hear. Why? Because these promo discs were...
With the release of Lawrence "Larry" Crane's Craniostomy Vol. Two, Tape Op's founder gives us a glimpse into his home recordings from 1983 to 1985. Cassette decks and odds and ends were harnessed into making these tracks, and revisiting them in...
A pal who deals in pro audio recording gear (some good shit) sent an email our way complaining about people recording with cheap gear at home and the inevitable loss that this presents to the pro audio industry. My response: XXX, Look on the Tape...
Michael Cozzi (Guitarist/Producer Shriekback, Sky Cries Mary etc... ) dropped us a line about his newly built Moscozzi Studio in Seattle. he says, "I was able to complete it on a shoestring budget using largely re-salvaged materials." Luckily for...
After 20 years at the Davis Square location (and a previous 15 years on Albany Street), Boston’s Q Division Studios had to close its doors in July of 2021. Through the years, Q Division was host to a diverse group of artists, including Aimee...
by John Baccigaluppi We recently did an interview with producer Larry Klein that will run in an issue of Tape Op in 2020, but here's an excerpt about a recently-released project he worked on called Beyond Music. A couple of years ago, these...
Joe McGinty has Carousel Studio in New York. Here his pal Amy Hobby gathered 20 young ladies to knock out a great version of Mike Oldfield's "Tubular Bells" on film featuring Joe's INSAME collection of vintage keyboards. This film is the best...
(me and Elliott rolling in Jackpot!'s original MCI JH-16, Feb. 1997) As most readers of Tape Op may have picked up on by now, I have been involved in the archiving and cataloging of the music of my late friend, Elliott Smith. Here's an interview I...
Going through some archives I came across this priceless piece of history: its the rate card from the studio my friends and I used to go to. You can see it here:. After years of nagging, we did get him to discount our rate to $50 an hour,...