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Additions to TapeOp.com

Our pal and Tape Op contributor Ryan Hewitt told us he's hosting another one of his Studio Prodigy Master Class sessions in Valencia, CA on November 8 and 9 with Jim Scott. We interviewed Jim in Tape Op #75 and we speak from experience when we...
 
I've tried a lot of different iOS software synthesizers, but this app is probably the most enjoyable and best sounding soft synth I've used to date — on an iPad or a computer — and it has...
 
As we pack our bags and prepare to head down to Los Angeles for the 137th Audio Engineering Society Convention (here is how the thing began in 1948), we thought we'd drop you a line and let you know what we'll be up to once we get there. Come...
 
We are missing the departed Lou Whitney today. Here's Vance Powell's fantastic interview with him from Tape Op #98 for everyone to read. - LC
 
Richard Kaplan, owner engineer of famed recording studio Indigo Ranch [Tape Op #103] is selling the remainder of his classic equipment collection.  It includes vintage and rare pieces by API, Aengus, Fairchild, Teletronix, Neumann and...
 
I'm not actually going to review the music on this record; it's free, just go get it and listen to it yourself. Instead, I'm a bit fascinated by the mechanics of the release itself. As my wife said when I told her I had the record, "Does anybody...
 
Just a quick note about the upcoming Audio Engineering Society (AES) convention in Los Angeles. We have arranged for all Tape Op readers to receive a free Exhibits Plus Badge to the convention. This badge is good for the Exhibition PLUS all...
 
 
 
Legendary record producer Bill Szymczyk helped dial in sounds for The Eagles, Joe Walsh, The James Gang, The Who, Elvin Bishop, and The J. Geils Band. Many have argued that AOR...
 
 
 

Welcome to the Nov/Dec 2000 issue of Tape Op!

There's another wide variety of features this time around, and I hope you dig it. What have we been up to? Glad you asked. Besides the usual work at my own studio, I had the pleasure of tracking a song for The Black Heart Procession over at Portland's Type Foundry studio (Jackpot! was booked!) which was a great experience. On September 10th I was on a panel for NARAS (you know, the Academy/the Grammy people?) during a Northwest Studio Summit. It was a blast trading insights with Paul Speer (Rainstorm), Joe Hadlock (Bear Creek), Terry Date (mega-producer), Martin Feveyear (Jupiter), Ron Vermulean (The Warehouse) and Steve Albini (Electrical Audio/guest speaker). I get the feeling that Albini and I got the most wisecracks in. I also felt like the junior representative. It was great to talk shop with everyone there, enjoy the BBQ dinner and spend the day in the beautiful countryside at Bear Creek Studios. A few weeks later, John went down to the AES convention in LA. From what I heard he and Geoff Daking did a bunch of socializing and even got to have dinner with Walter Sears and ride around in EveAnna Manley's sports car with some guy named only Razor. I missed out (I promise to be there next year in NY) because I had committed to moderating a panel at North By Northwest (NXNW), the Portland music conference. This panel was fun too, with Barbara Manning (songwriter supreme), Craig Schumacher (WaveLab), Tony Lash (producer supreme) and Luther Russell (producer, musician, etc.). We talked about recording on a budget and could have gone on for several more hours. The only problem was getting there by 10 AM! Craig and I went to a lot of parties and shows, knocking back beers and enjoying Dead Moon, The Walkabouts, John Vanderslice and many others. One long weekend. I even played guitar with Franklin Bruno on one song during his set! Anyway, now it's time to get back into the studio - we just installed a power conditioner and soon are rewiring the whole control room, putting down new carpet, etc. I'll let you know how that goes... Thanks and enjoy this issue!

Larry Crane

#20

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