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Additions to TapeOp.com

Richard Kaplan, owner engineer of famed recording studio Indigo Ranch [Tape Op #103] is selling the remainder of his classic equipment collection.  It includes vintage and rare pieces by API, Aengus, Fairchild, Teletronix, Neumann and...
 
Just a quick note about the upcoming Audio Engineering Society (AES) convention in Los Angeles. We have arranged for all Tape Op readers to receive a free Exhibits Plus Badge to the convention. This badge is good for the Exhibition PLUS all...
 
 
 
Legendary record producer Bill Szymczyk helped dial in sounds for The Eagles, Joe Walsh, The James Gang, The Who, Elvin Bishop, and The J. Geils Band. Many have argued that AOR...
 
From the moment I first heard Joy Division's two studio albums, Unknown Pleasures and Closer, I was affected. Initially I returned the LPs to my friend Steve, saying, "These are too gloomy. I don't...
 
In honor of Spoon's new release They Want My Soul (also: survival past the 20-year mark as a functioning rock band), we're making our full interview with them from 2002 available to all subscribers for a bit. Enjoy!
 
With 2014's Lost in the Dream, The War on Drugs have made it onto most people's playlists. Frontman and producer extraordinaire Adam Granduciel was kind enough to take a break from touring to...
 
An Australian architecture student bumps into famous producer/engineer Flood while studying in Ireland, returns home to start playing in bands, and eventually moves to London and becomes an...
 
Bill Cheney and Jim Romney are the men responsible for keeping the amazing legacy of Spectra Sonics, a legendary, if criminally unheralded, pro-audio company alive.  
 
 
 

Welcome to the Nov/Dec 2000 issue of Tape Op!

There's another wide variety of features this time around, and I hope you dig it. What have we been up to? Glad you asked. Besides the usual work at my own studio, I had the pleasure of tracking a song for The Black Heart Procession over at Portland's Type Foundry studio (Jackpot! was booked!) which was a great experience. On September 10th I was on a panel for NARAS (you know, the Academy/the Grammy people?) during a Northwest Studio Summit. It was a blast trading insights with Paul Speer (Rainstorm), Joe Hadlock (Bear Creek), Terry Date (mega-producer), Martin Feveyear (Jupiter), Ron Vermulean (The Warehouse) and Steve Albini (Electrical Audio/guest speaker). I get the feeling that Albini and I got the most wisecracks in. I also felt like the junior representative. It was great to talk shop with everyone there, enjoy the BBQ dinner and spend the day in the beautiful countryside at Bear Creek Studios. A few weeks later, John went down to the AES convention in LA. From what I heard he and Geoff Daking did a bunch of socializing and even got to have dinner with Walter Sears and ride around in EveAnna Manley's sports car with some guy named only Razor. I missed out (I promise to be there next year in NY) because I had committed to moderating a panel at North By Northwest (NXNW), the Portland music conference. This panel was fun too, with Barbara Manning (songwriter supreme), Craig Schumacher (WaveLab), Tony Lash (producer supreme) and Luther Russell (producer, musician, etc.). We talked about recording on a budget and could have gone on for several more hours. The only problem was getting there by 10 AM! Craig and I went to a lot of parties and shows, knocking back beers and enjoying Dead Moon, The Walkabouts, John Vanderslice and many others. One long weekend. I even played guitar with Franklin Bruno on one song during his set! Anyway, now it's time to get back into the studio - we just installed a power conditioner and soon are rewiring the whole control room, putting down new carpet, etc. I'll let you know how that goes... Thanks and enjoy this issue!

Larry Crane

#20

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