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Additions to TapeOp.com

Our pal and Tape Op contributor Ryan Hewitt told us he's hosting another one of his Studio Prodigy Master Class sessions in Valencia, CA on November 8 and 9 with Jim Scott. We interviewed Jim in Tape Op #75 and we speak from experience when we...
I've tried a lot of different iOS software synthesizers, but this app is probably the most enjoyable and best sounding soft synth I've used to date — on an iPad or a computer — and it has...
As we pack our bags and prepare to head down to Los Angeles for the 137th Audio Engineering Society Convention (here is how the thing began in 1948), we thought we'd drop you a line and let you know what we'll be up to once we get there. Come...
We are missing the departed Lou Whitney today. Here's Vance Powell's fantastic interview with him from Tape Op #98 for everyone to read. - LC
Richard Kaplan, owner engineer of famed recording studio Indigo Ranch [Tape Op #103] is selling the remainder of his classic equipment collection.  It includes vintage and rare pieces by API, Aengus, Fairchild, Teletronix, Neumann and...
I'm not actually going to review the music on this record; it's free, just go get it and listen to it yourself. Instead, I'm a bit fascinated by the mechanics of the release itself. As my wife said when I told her I had the record, "Does anybody...
Just a quick note about the upcoming Audio Engineering Society (AES) convention in Los Angeles. We have arranged for all Tape Op readers to receive a free Exhibits Plus Badge to the convention. This badge is good for the Exhibition PLUS all...
Legendary record producer Bill Szymczyk helped dial in sounds for The Eagles, Joe Walsh, The James Gang, The Who, Elvin Bishop, and The J. Geils Band. Many have argued that AOR...

Welcome to the Mar/Apr 2007 issue of Tape Op!

When you open this issue I'll be knee deep in a studio move. After ten years of Jackpot! Recording Studio existing in the same location, we're moving into a newly constructed building courtesy of our new landlords, Hamptone - the people that make those cool pro audio kits. The move was prompted by the owner of the Morrison Street property, Wayne Lund (who has been one of the coolest landlords I've ever worked with), selling the lot we're on. He moved his business to a new property and I assume needed the capital to do so. It looks like the new owners want to build condominiums on the corner there. So say goodbye to Jackpot!'s old site, and also sadly to our (understanding and supportive) REX Recording neighbors who will be losing their studio of over 50 years.

I'm excited for the new Jackpot! location. The building will feature higher ceilings, better isolation booths, central heating and air conditioning (finally), access to Hamptone's large recording space, a picnic area out back and even a fire bowl! The gear stays mostly the same, with our recent Pro Tools HD system, but we're adding a 16-track 2" deck, EMT 140 Plate Reverb, tt pachbays and more. I'm also really excited about the neighborhood: there are restaurants, bars, Trade Up Music, wine shops, bakeries, Stumptown Coffee and more all around us - even a Plaid Pantry, open 24 hours for snack runs.

It's going to be a lot of work and we hope to be ready for business in early May, but we're damn excited to see what the next ten years bring atJackpot!

Visit http://www.hamptone.com/2824divison.htm to see the building in progress.

Planning is ramping up for the sixth annual TapeOpCon, June 8-10 in Tucson, AZ. This will be a memorable event. Come down and hang with us - the waterslide is waiting...

This year Tape Op is also expanding its global coverage. This issue will be the first edition available in the UK and EU - and for free. Thanks are due to our new partner, Al Lawson, in the UK who's helping this all happen. Tell your friends overseas to sign up. We're excited to bring a lot of new readers aboard and to expand our coverage of creative recording all over the world! And look for us wandering around AES Vienna in May.

Alright, now can I take a vacation?


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