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Additions to TapeOp.com

Lately we've been really appreciating companies who make simpler, more focused digital tools that concentrate on doing one thing really well, and Harrison's Mixbus definitely fits this bill. If you don't know Harrison, they are best known for their...
 
It was at a recent trade show, after a major DAW manufacturer cancelled our meeting, that I realized I was relieved to be off the hook. I always enjoy meeting with this person, and I use and like their products. But I was relieved to not hear...
 
Ted Nugent, REO Speedwagon, Poison, Mötley Crüe, Molly Hatchet, Twisted Sister. When pitching this article to Tape Op, it was not lost on me that many of the artists that Tom Werman signed...
 
For eighteen years, numerous albums, EPs, tribute tracks and even a four-CD box set of rarities, Jon Auer and Ken Stringfellow have shared a passion for creating recordings, as songwriters,...
 
What's the attraction of vintage consoles? There's no denying that a classic console will look incredible in your studio and make a great investment, too. But the real draw will always be the...
 
What is the attraction of vintage microphones? While we all may spend more hands-on studio time with our outboard gear, our console, and so on, there's undoubtedly a uniquely personal connection we...
 
Vintage King co-founder Michael Nehra shares some of his love, knowledge, and practical advice for diving into the world of vintage audio gear, and then takes us behind the scenes for a walk through...
 
CreativeLive is pretty damn cool. It was founded in 2010 by these two pro media guys Chase Jarvis and Craig Swanson, who partnered to create a real time online space where the world's top working creatives could connect with a global audience of...
 
"Consider a rock band with two guitars, bass and a keyboard guy with a Rhodes or Hammond. It is possible everyone will have their own tuner, and know how to use it. But after you roll tape, you discover that someone is out of tune. They all check...
 
Veteran Bay Area recording engineer John Cuniberti has been professionally making records since the late 70's. Aside from the feature interview we did with him back in 2006, we also asked him if he could distill the essentials of what he learned...
 
 
 

Welcome to the Mar/Apr 2011 issue of Tape Op!

When an aspiring engineer/producer/musician asks me how they should get their start, I always tell them that the most important aspect for me early on was being part of a community, and not necessarily one based on where I lived. This issue of Tape Op illustrates that quite well. Jack White III and Brendan Benson originally hailed from Michigan, and now live in Nashville, Tennessee. Besides their collaboration in The Raconteurs, Brendan's excellent solo career and Jack's groups The White Stripes, The Dead Weather and his Third Man record label have had far-reaching effects with others all over the world. Producer/engineer Vance Powell grew up in Missouri, but now also living in Nashville he's worked extensively with Jack in the studio - the career trajectory he's taken is filled with collaboration, hard work and friendships. Dungen might hail from Sweden, but they have recently cut a single for Third Man, with Jack producing and Vance engineering.

It all ties together through a shared love of music.

It was 15 years ago that the first issue of Tape Op made its debut. I photocopied all the sheets, spray- painted the covers and hand-stapled the pages together. My goal was to learn more about music recording, to note that it could frequently happen outside of a proper studio and to celebrate that making records is truly an art and not simply a technical process.

In my heart I still know the most important aspect of creative music recording is the fact that this is art we're dealing with. Creating works that resonate with listeners and communicating through music and sound is our goal. Recording equipment is necessary, but gear is only part of the tools that we use. If anything, the changing face of audio production technology only proves that it is the music and creative recording process that matters, and not merely the equipment.

Over the years thousands of readers have joined us for the ride and many have become contributors. My partner, John Baccigaluppi, deserves half of any praise due. A few years into Tape Op, he took my raw ideas and helped turn a tiny magazine into a leader in its field - something I could've never imagined in 1996. I gratefully thank John, our Tape Op staff, all of our wonderful contributors and, of course, our faithful readers. I also thank my beautiful wife Jenna, who has literally been with me since the beginning of this journey.

There are a million ways to create and record music. There always will be. Keep your minds and hearts open, use and improve your skills and bring more music into the world.

Our own Tape Op Books is extremely proud to announce that we have published Phill Brown's Are We Still Rolling? In Tape Op #12 Chris Eckman and I interviewed Phill, and in issues 16 to 32 we ran excerpts from his then unpublished book. An amazing story, this is one of the finest memoirs of classic studio sessions one will ever read, with Phill's own personal story setting an arc across the music of the '60s to the current day. Many readers have asked us when this book would come out, so we did it ourselves. You can find Are We Still Rolling? wherever books are sold, so grab a copy today!

We're also excited to show off the magazine's new website. Dave Middleton, Hillary Johnson, AJ Wilhelm and the gang have been hard at work rebuilding and redesigning our site and filling it with more content than ever. Look for online bonus articles with each new issue, search our past gear reviews and enjoy videos and other new online content at tapeop.com.

#82

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