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Additions to TapeOp.com

In honor of Spoon's new release They Want My Soul (also: survival past the 20-year mark as a functioning rock band), we're making our full interview with them from 2002 available to all subscribers for a bit. Enjoy!
 
With 2014's Lost in the Dream, The War on Drugs have made it onto most people's playlists. Frontman and producer extraordinaire Adam Granduciel was kind enough to take a break from touring to...
 
An Australian architecture student bumps into famous producer/engineer Flood while studying in Ireland, returns home to start playing in bands, and eventually moves to London and becomes an...
 
Bill Cheney and Jim Romney are the men responsible for keeping the amazing legacy of Spectra Sonics, a legendary, if criminally unheralded, pro-audio company alive.  
 
Lately we've been really appreciating companies who make simpler, more focused digital tools that concentrate on doing one thing really well, and Harrison's Mixbus definitely fits this bill. If you don't know Harrison, they are best known for their...
 
It was at a recent trade show, after a major DAW manufacturer cancelled our meeting, that I realized I was relieved to be off the hook. I always enjoy meeting with this person, and I use and like their products. But I was relieved to not hear...
 
Ted Nugent, REO Speedwagon, Poison, Mötley Crüe, Molly Hatchet, Twisted Sister. When pitching this article to Tape Op, it was not lost on me that many of the artists that Tom Werman signed...
 
For eighteen years, numerous albums, EPs, tribute tracks and even a four-CD box set of rarities, Jon Auer and Ken Stringfellow have shared a passion for creating recordings, as songwriters,...
 
What's the attraction of vintage consoles? There's no denying that a classic console will look incredible in your studio and make a great investment, too. But the real draw will always be the...
 
What is the attraction of vintage microphones? While we all may spend more hands-on studio time with our outboard gear, our console, and so on, there's undoubtedly a uniquely personal connection we...
 
 
 

Welcome to the Nov/Dec 2011 issue of Tape Op!

While interviewing Bob Weston in 2000 for Tape Op #18, one of his comments took me by surprise. He told me, "Some bands just assume I won't record them. They assume I'm too busy, that I'm too expensive or that I only approach bands. When I hear that someone's afraid to call me, or assumes they can't call me, I can't even believe it." I'd always assumed since Bob worked on records that my friends and I bought and listened to that he was a hot commodity in the studio and that he was able to pick and choose projects to suit his taste and timeframe. The reality is that he was (gratefully) taking most any job that came down the pike in order to keep busy.

People's perceptions of how busy, inaccessible or picky a producer/engineer might be are often skewed. Most of us are easy to contact (see Vance Powell's, "People wonder how to find me and I say, 'Google me!'" in #82). Many folks are far more affordable than their

credits might lead you to believe. And everyone needs work; no matter how "cool" their job may appear. I recently talked to a good friend of mine who had a number of weeks work disappear overnight when a record label changed their mind on a band, and he's the kind of producer whom you might assume was always busy. We all live mostly day-to-day in this business (those of us crazy enough to attempt to make it a full time job) and what keeps clients coming our way is word of mouth, our back catalogs and musicians who wish to work with us. So to all the artists out there who admire the work of anyone on the other side of the glass, please consider that we might be much more available than you assume and that we'd be happy to work with you on any project.

#86

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