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Phill Brown has had a 30 year long career as an engineer, something most of us are barely even capable of imagining. And not only has he been working for a long while, he's worked with some of the...
 
We just released the audiobook version of Phill Brown's amazing studio memoir -- Are We Still Rolling? -- which has stories about recording Hendrix, the Stones, Zeppelin, and countless other music icons. We've been releasing one story a day to...
 
We interviewed Phill Brown in issue number 12 of Tape Op. Over the years he's worked with some of the greatest artists ever, like Jimi Hendrix, Joe Cocker, Traffic, Spooky Tooth, Jeff Beck, Led...
 
We just released the audiobook version of Phill Brown's amazing studio memoir -- Are We Still Rolling? -- which has stories about recording Hendrix, the Stones, Zeppelin, and countless other music icons. This week, we'll be releasing one story a day...
 
We just released the audiobook version of Phill Brown's amazing studio memoir -- Are We Still Rolling? -- which has stories about recording Hendrix, the Stones, Zeppelin, and countless other music icons.  This week, we'll be releasing one story...
 
Jon Brion is well known as a session musician, record producer, solo artist and now, with the work he did for Magnolia, a scorer of films. In his world, all of this is equally important and...
 
Here is Arturia's affordable and highly desirable analog synth, the MicroBrute. The little brother to their MiniBrute synth, the monophonic MicroBrute has a new modulation matrix with control-voltage...
 
For the past 11 years, Greg Wilkinson has recorded the Bay Area's crustiest punk/hardcore/grindcore/death metal/doom/black metal at Earhammer, his warehouse studio in West Oakland. He's also played...
 
Master clocks are a near necessity if you own multiple digital audio devices that are interconnected. Sure, you can forgo a master clock and just chain one digital device to the next, each...
 
I caught up with David J. Haskins, a member of the influential bands Bauhaus and Love and Rockets, during a book tour for his new memoir, Who Killed Mr....
 
 
 

Welcome to the Mar/Apr 2013 issue of Tape Op!

I spend a fair amount of time pondering what to write about for the End Rant of Tape Op. We are 94 issues in, and sometimes it's difficult to think of topics I haven't covered before. Being that I own a commercial recording studio, I frequently consider the way in which it's run. But I also wonder about the relevance of writing about owning a service business like this, and whether lessons learned there would be of interest to all of our readers. This issue I thought of a topic, something so obvious and right in front of me I feel there are aspects of this that would apply to anyone working in a creative field, and maybe - just maybe - I could drive home a point about recording that's been very important to me from the beginning. Check it out here.

At Tape Op we rarely have "themed" issues, but in 94 we go on a journey into the deepest heart of Texas. For a number of years I've made the springtime trek to the fine city of Austin for the South By Southwest Music and Media Conference. I love going to Texas, and visiting Austin - such a vibrant music town. If you’re down there I hope we see you at our Tape Op Party (Thursday, March 14th at the Lucky Lounge) – it’s always a blast. Enjoy!

#94

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