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Additions to TapeOp.com

Here is Arturia's affordable and highly desirable analog synth, the MicroBrute. The little brother to their MiniBrute synth, the monophonic MicroBrute has a new modulation matrix with control-voltage...
 
For the past 11 years, Greg Wilkinson has recorded the Bay Area's crustiest punk/hardcore/grindcore/death metal/doom/black metal at Earhammer, his warehouse studio in West Oakland. He's also played...
 
Master clocks are a near necessity if you own multiple digital audio devices that are interconnected. Sure, you can forgo a master clock and just chain one digital device to the next, each...
 
I caught up with David J. Haskins, a member of the influential bands Bauhaus and Love and Rockets, during a book tour for his new memoir, Who Killed Mr....
 
We are witnessing the dawn of dramatic format changes for audio delivery. On the one hand, we now have streaming audio and, on the other hand, we have the movement away from compressed digital formats toward higher-resolution digital files. The CD...
 
Ocean Way Recording began in a garage in Santa Monica, California, in 1968, as a place to showcase owner Allen Side's custom monitors. From these humble beginnings the empire expanded to include...
 
Ace Hotel has long been a favorite among artist/studio types, so when we heard the news that they were going to beginoffering quality recording gear as a literal hotel service, it made sense. Featured behind their tailored front desk you'll find...
 
The name Jim Scott has graced many excellent albums since he made his debut as first engineer on Sting's The Dream of the Blue Turtles. Artists as varied as the Dixie Chicks, Wilco, John Fogerty, the...
 
Soundtoys Decapitator has been around for a while now, and it's one of my favorite plug-ins. I was surprised when Andy Hong asked if I wanted to review it — oddly, it had never been reviewed in...
 
The legendary TG12345 consoles made by EMI are very rare and scattered around the world, from England to Brazil. If you have scratched the surface of recording history, you know the impact that EMI...
 
 
 

Welcome to the Mar/Apr 2013 issue of Tape Op!

I spend a fair amount of time pondering what to write about for the End Rant of Tape Op. We are 94 issues in, and sometimes it's difficult to think of topics I haven't covered before. Being that I own a commercial recording studio, I frequently consider the way in which it's run. But I also wonder about the relevance of writing about owning a service business like this, and whether lessons learned there would be of interest to all of our readers. This issue I thought of a topic, something so obvious and right in front of me I feel there are aspects of this that would apply to anyone working in a creative field, and maybe - just maybe - I could drive home a point about recording that's been very important to me from the beginning. Check it out here.

At Tape Op we rarely have "themed" issues, but in 94 we go on a journey into the deepest heart of Texas. For a number of years I've made the springtime trek to the fine city of Austin for the South By Southwest Music and Media Conference. I love going to Texas, and visiting Austin - such a vibrant music town. If you’re down there I hope we see you at our Tape Op Party (Thursday, March 14th at the Lucky Lounge) – it’s always a blast. Enjoy!

#94

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