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Additions to TapeOp.com

Somehow, a strap-on keyboard can pass as dorky/cool, especially with the rise of "nerdcore." But IMHO, a synth guitar is just... well... dorky, and always will be. Just check YouTube for shredders...
 
Don Zientara is a name I became familiar with simply by seeing it over and over again on record, and then CD, liner notes. From his Inner Ear Studios, he's been engineering and producing...
 
Our pal and Tape Op contributor Ryan Hewitt told us he's hosting another one of his Studio Prodigy Master Class sessions in Valencia, CA on November 8 and 9 with Jim Scott. We interviewed Jim in Tape Op #75 and we speak from experience when we...
 
I've tried a lot of different iOS software synthesizers, but this app is probably the most enjoyable and best sounding soft synth I've used to date — on an iPad or a computer — and it has...
 
As we pack our bags and prepare to head down to Los Angeles for the 137th Audio Engineering Society Convention (here is how the thing began in 1948), we thought we'd drop you a line and let you know what we'll be up to once we get there. Come...
 
We are missing the departed Lou Whitney today. Here's Vance Powell's fantastic interview with him from Tape Op #98 for everyone to read. - LC
 
Richard Kaplan, owner engineer of famed recording studio Indigo Ranch [Tape Op #103] is selling the remainder of his classic equipment collection.  It includes vintage and rare pieces by API, Aengus, Fairchild, Teletronix, Neumann and...
 
I'm not actually going to review the music on this record; it's free, just go get it and listen to it yourself. Instead, I'm a bit fascinated by the mechanics of the release itself. As my wife said when I told her I had the record, "Does anybody...
 
Just a quick note about the upcoming Audio Engineering Society (AES) convention in Los Angeles. We have arranged for all Tape Op readers to receive a free Exhibits Plus Badge to the convention. This badge is good for the Exhibition PLUS all...
 
 
 
 

Welcome to the Mar/Apr 2013 issue of Tape Op!

I spend a fair amount of time pondering what to write about for the End Rant of Tape Op. We are 94 issues in, and sometimes it's difficult to think of topics I haven't covered before. Being that I own a commercial recording studio, I frequently consider the way in which it's run. But I also wonder about the relevance of writing about owning a service business like this, and whether lessons learned there would be of interest to all of our readers. This issue I thought of a topic, something so obvious and right in front of me I feel there are aspects of this that would apply to anyone working in a creative field, and maybe - just maybe - I could drive home a point about recording that's been very important to me from the beginning. Check it out here.

At Tape Op we rarely have "themed" issues, but in 94 we go on a journey into the deepest heart of Texas. For a number of years I've made the springtime trek to the fine city of Austin for the South By Southwest Music and Media Conference. I love going to Texas, and visiting Austin - such a vibrant music town. If you’re down there I hope we see you at our Tape Op Party (Thursday, March 14th at the Lucky Lounge) – it’s always a blast. Enjoy!

#94

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