Stuart Sikes: White Stripes, Loretta Lynn, Cat Power, more...
Interview with Stuart Sikes
Interviews
Interviews | No. 65
John Keane: Recording R.E.M. and teaching Pro Tools
By Bart King
John Keane, who arguably has had a greater influence on the Athens, Georgia, music scene than any other single engineer or musician, says he "kind of fell into" his role as the city's first studio own...
E of The Eels: Remasters and more guitars
By Larry Crane
Mark Oliver Everett is the one constant behind the Eels, an L.A.-based "group" that's been releasing record since 1996. His work always carried a "studio savvy" sheen to my ears, so when I heard there...
Björn Yttling: The "B" in Peter, Björn, and John
By Thom Monahan
Björn Yttling is standing in my studio manhandling a Moog. He's not getting what he wants out of my old Realistic MG-1 that I've had since high school, but that's no surprise as it's been in the corne...
Headgear: A Brooklyn Studio Survives
By Kevin Smith
Williamsburg, NY's Headgear Recording has played host to a number of Brooklyn's best and perhaps most innovative bands including the Yeah Yeah Yeahs, TV on the Radio, CocoRosie, Au Revoir Simone, The...
Christopher Moore: Behind The Gear with Seven Woods Audio
Christopher Moore was the man behind the legendary Ursa Major Space Station (SST-282) as well as several other notable innovations in digital audio. Ursa Major was bought by AKG in 1985. Chris was pre...
Fix it Before the Mix #3: A Stitch in Time Saves Nine
By Chris Stamey
Interview with Fix it Before the Mix #3