Gear Reviews

REAL-WORLD ASSESSMENTS OF RECORDING EQUIPMENT BY WORKING PROFESSIONALS.

NO. 169 Gear Review

plunk: plunk guitar bridge damper

REVIEWED BY Larry Crane
December 6, 2025

What is plunk? It's simply a piece of grooved rubber that fits on 6-string guitars right next to the bridge, damping the strings' sustain significantly. Inspired by the Reuben Cox (Old Style Guitar Shop, Los Angeles) rubber bridge guitars that are all the rage (Phoebe Bridgers, Blake Mills...

NO. 169 Gear Review

Sherman: Filterbank 2 dual analog filter

December 6, 2025

In late 1996, I heard the “Setting Sun” radio single (featuring Noel Gallagher) by The Chemical Brothers. The sound was so unexpected and bombastic that it felt like the opening salvo of a pop revolution. My knowledge of synth-based music at that time ran fairly deep, encompassing genres from dance...

NO. 169 Gear Review

Wolff Audio: ProPatch patchbay

REVIEWED BY Eli Crews
December 6, 2025

Over the past several decades, many of our most essential tools from the analog era have either adapted to give us more flexibility, recallability, and automation, or been replaced by digital versions in which these features are much easier to implement (and now come standard). One holdout, until very...

NO. 169 Gear Review

PSI Audio : A226-MAIN active monitors

REVIEWED BY Andy Hong
December 6, 2025

These are the most accurate speakers I’ve heard. Listening to them, especially for extended periods of time, is truly a revelation. I was lucky enough to host the public unveiling of this model during the opening party for my new home studio in Nashville. Earlier in the week, Roger Roschnik and Fabrice...

NO. 169 Gear Review

Eternal Research: Demon Box audio processor

REVIEWED BY Dana Gumbiner
December 6, 2025

Okay, my studio might need an exorcist now. We're testing out the Demon Box, an odd analog/digital hybrid instrument/controller/listening device that translates EMF (electromagnetic fields) into audio, MIDI, and control voltage (CV) signals. It's the first commercial product from L.A.-based...

NO. 169 Gear Review

Freqport: FreqInOut FO1 hardware interface

REVIEWED BY Matt Anderson
December 6, 2025

I made a few huge decisions and changes to my studio this year, which involved selling almost everything in my control room and starting from scratch. I needed a very specific, specialized recording interface for my needs. Because I was already massively over budget, I was going to have to wait before...

NO. 169 Gear Review

Grace Design: m701 audio interface

REVIEWED BY Don Gunn
December 6, 2025

I’m a fanboy of Grace Design's gear, so when they announced the m701 interface at the NAMM Show in January, I immediately got in touch with Michael and Eben Grace to ask if I might be able to review it when it became available. Now that I’ve had a beta unit here in my studio for a few months, I...

NO. 168 Gear Review

Creation Audio Labs: Clean Boost Pedal

December 6, 2025

With an extensive background as the lead tech for a pro audio retailer and the service manager for a console manufacturer, Alex “Skip” Welti founded Creation Audio Labs in 2003. He began working as a mobile tech for studios around Nashville, repairing everything from consoles to guitar amps in his shop....

NO. 168 Gear Review

Apogee Digital: Symphony Studio 2x12 interface

REVIEWED BY Adam Kagan
December 6, 2025

Apogee has long provided a range of audio professionals with tailored interface choices, from the portable Duet [Tape Op#150] and Symphony Desktop [#142] to the flagship Symphony I/O Mk II [#140]. Their latest addition, the Symphony Studio series, smartly fills the gap with single rack space interfaces...

NO. 168 Gear Review

Wolff Audio: FREQ 500 Series 4-band EQ

REVIEWED BY Andy Hong
December 6, 2025

Each year, more examples of vintage-inspired EQs, compressors, preamps, and mics are made available. Big-name brands, as well as boutique manufacturers, seem to think we all have an endless appetite for clones of classic gear. Consequently, contemporary designs of bread-and-butter products are rarely...

NO. 168 Gear Review

PSPaudioware: DRC plug-in

REVIEWED BY Garrett Haines
December 6, 2025

The PSPaudioware DRC dynamic range controller is one of the most noteworthy plug-ins I have seen in a long time. Using the dbx 118 Dynamic Range Enhancer as a foundation, the DRC is neither a clone nor an emulation. Enhanced controls offer users deeper adjustments than the original, however, the extra...

NO. 168 Gear Review

Gamechanger Audio: Motor Synth MkII

REVIEWED BY Dana Gumbiner
December 6, 2025

The Motor Synth MkII from Gamechanger Audio is, by some margin, the most original synthesizer design I've seen (and heard!) in some time. It's a desktop unit that generates audio waveforms via its eight variable-speed internal drone motors – that's "drone" as in UAS/UAV/quadcopter....

NO. 168 Gear Review

Hendyamps & Brainworx: The Oven analog processor & plug-in

REVIEWED BY Joe Finocchio
December 6, 2025

On some level, everyone is susceptible to the dreaded panacea syndrome when it comes to adding tools to their workflow. “If I only had this one piece of gear, all my problems would be solved!” The Oven “Mojo Box” analog processor by Hendyamps and its plug-in counterpart by Brainworx (distributed by...

NO. 168 Gear Review

Newfangled Audio: Articulate transient plug-in

REVIEWED BY Larry Crane
December 6, 2025

When I try to teach what compression is and how to use it, I'll always use the "shape of a waveform through time" as a way to explain what compression can do. In the synthesizer world, this is referred to as the "envelope," which includes four stages of modulation: Attack, decay,...

NO. 168 Gear Review

AKG : C414 XLS microphone

REVIEWED BY Geoff Stanfield
December 6, 2025

The ubiquitous AKG C414 mic has been manufactured in various forms since 1971. I’ve reviewed the modern day C414 XLII [Tape Op#154] and given it high marks, so when the opportunity to check out its sibling microphone, the C414 XLS, came up, I jumped at the chance. Both of these large diaphragm multi-pattern...

NO. 168 Gear Review

Lewitt Audio: Space Replicator plug-in

REVIEWED BY Adam Kagan
December 6, 2025

LEWITT, the respected Austrian manufacturer known for its microphones and audio interfaces, has released its first plug-in: Space Replicator. Designed for headphone use, Space Replicator lets users experience how their audio would sound when played through speakers in various virtual environments. Unlike...

NO. 168 Gear Review

Bitwig: Connect 4/12

REVIEWED BY Dana Gumbiner
December 6, 2025

The Bitwig Connect 4/12 is a versatile desktop audio USB-C interface that provides four inputs and twelve outputs, along with CV (control voltage) I/O and MIDI capabilities. It also sports some cool monitor and DAW control features, not to mention a special Bitwig Mode that sets it apart when used with...